Open Letter To Curtis Judd on 32-Bit-Float Audio скачать в хорошем качестве

Open Letter To Curtis Judd on 32-Bit-Float Audio

2/24/25 CURTIS JUST DID ANOTHER VIDEO that makes this one OBSOLTE! ;) This is not about who is right or wrong. I learn from him; he learns from me; we all learn from each other!!! Originally, I figured I'd sent this to him as a google video, but I figure others might be interested. It's not like its easy to make videos for this channel. 1. All waveforms should always be shown without data truncated (and then zoom in) 2. Fundamentally, all microphone data is a set of simple numbers representing voltages at points in time. There's no noise floor, 0db, clipping, frequencies in the data. Those are subjectively INFERRED later. If one has never worked in electronics, or with data, it's easy to infer information in audio software that simply is NOT in the data. I too, had this view of audio data, long ago! 3. In short, I look at audio data as the voltages coming out of the microphone (then pre-amp) and the numbers that represent them. THERE IS NOTHING ELSE. If the pre-amp is set correctly and one has at least 16-bit of data, I have found no evidence that the voltages (numbers) exceed that amount of numbers set aside to represent them. When I took the Tascam's Portacapture 32-bit-float files and converted them to 24-bit fixed they matched PERFECTLY bit to bit. There is no information in 32-bit float files that cannot be represented in 24-bit fixed. INDEED, behind the scenes all microphone 32-bit float data is CREATED FIRST from 24-bit internally. I explain why 32-bit-float has nothing to do with mic gain and clipping https://maxrottersman.medium.com/the-...