Greco Les Pauls just how do these Japanese Les Pauls stack up against Gibsons? Let's find out! скачать в хорошем качестве

Greco Les Pauls just how do these Japanese Les Pauls stack up against Gibsons? Let's find out!

   • Let's go down the Japanese Les Paul Rabbit...   1978 Greco Les Paul stands as one of the most respected examples of Japan’s late-1970s “lawsuit era” craftsmanship, a period when Japanese manufacturers were producing instruments that rivaled—and sometimes exceeded—the quality of their American counterparts. Built by Fujigen Gakki, Greco Les Pauls from this era have earned a reputation for exceptional build quality, vintage-correct design, and outstanding tone. Construction is where the 1978 Greco truly shines. Most models feature a solid mahogany body with a carved maple top, closely following late-’50s Gibson specifications. The neck is typically a one-piece mahogany set neck with a medium-to-thick “C” profile that feels substantial without being unwieldy. Fretwork is consistently excellent, with well-seated frets and smooth edges that still hold up decades later. Binding, inlays, and finish work are clean and precise, reflecting Fujigen’s meticulous attention to detail. Tonally, the 1978 Greco Les Paul delivers the warmth, sustain, and midrange richness that players expect from a classic Les Paul design. Stock pickups varied by model, with higher-end versions often equipped with Greco’s Dry Z or U-1000 humbuckers. These pickups are widely praised for their PAF-inspired character: clear highs, a woody midrange, and tight but full low end. Clean tones are articulate and balanced, while overdriven sounds offer smooth saturation and singing sustain without excessive compression. The guitar responds well to picking dynamics, making it equally suitable for blues, classic rock, and early hard rock styles. Playability is another strong point. The set-neck construction and solid body contribute to impressive sustain, while the neck profile feels comfortable for both chord work and lead playing. The scale length and fretboard radius are familiar to Gibson players, making the transition effortless. Even by modern standards, a well-maintained 1978 Greco feels solid and reliable, with tuning stability that holds up during extended sessions. Visually, the guitar captures the essence of a vintage Les Paul. Finishes such as cherry sunburst, tobacco burst, and black are common, often aging gracefully with subtle checking and patina. The headstock shape and logo are distinctively Greco, yet unmistakably inspired by Gibson’s iconic design, giving the guitar both vintage appeal and its own identity. In today’s market, the 1978 Greco Les Paul represents excellent value. Prices have risen as players recognize their quality, but they still often cost less than comparable vintage Gibsons. For musicians seeking authentic late-’50s Les Paul tone and feel without the vintage Gibson price tag, a late-’70s Greco is a compelling option. Overall, the 1978 Greco Les Paul is a testament to Japan’s golden era of guitar building—solid, soulful, and built to last. 00:00-00:00:35 Intro 00:35-01:29 Which one is the Gibson, Welcome and Unveil 01:29-03:26 Deeper dive and back ground 03:26-06:34 Throw it on the work bench 06:34-10:06 Clean Tones 10:06-10:51 A little dirt (crunch tones) 10:51-16:09 Thoughts on Japanese Les Pauls and which one is my favorite 16:09-16:50 Outro #greco #grecoguitars #japaneseguitar #grecoreview #yamaharevstar #yamahaguitars #eastmanguitars #ariaguitar #tokaiguitar #yamahasg3000 Check out these previous Japanese Les Paul reviews: Eastman    • Tokai Love Rock is it a contender or prete...   Tokai    • Tokai Love Rock is it a contender or prete...   Aria    • Let's go down the Japanese Les Paul Rabbit...   Revstar    • Does the Yamaha Revstar live up to all of ...   Yamaha SG 3000    • Yamaha SG 3000 is it really a Les Paul kil...