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The bass is Lakland Skyline 44-60 jazz bass. The sound was recorded via PreSonus Studio 68c card directly into the OBS software without a mild compression, but without any further effects, equalization, normalisation or postprocessing. I used the loop function on the TC Electronic FlashBack Delay to demonstrate the various settings of the amp. 00:00-3:00 fingerstyle 3:01-4:31 slap from 4:32 picked bass This amps offers you full control over your tone and settings when you need the Markbass sound. You can regulate the input gain and see the clipping. The basic sound of the amp seems to be almost natural and transparent to me, with only a little flavor. Then you got a three-way rotary switch to select flat sound, scooped mids, or let the footswitch decide (or mute).The four-band EQ lets you cut or boost bass (68 Hz), low mids (360 Hz), high mids (800 Hz), and highs (10 kHz). Most of the combinations are very useful and musical. There is an additional pre-shaped Old School filter that rounds the sound by enhancing the mids and cutting highs. There is a mute switch - when engaged, the input jack flashes. You can regulate the output level of your DI independently of the Gain, which could be very useful. The rear panel offers a Ground Lift, DI output with switchable Pre-Eq/Post-Eq, Tuner out, Send and Return effect loop, and both Speakon and TRS speaker outs. Running into 8 Ohm cabinet gives you 150 W, running into 4 Ohms gives you 300 W. Dimensions (W x D x H): 276 x 250 x 83 mm. It weighs 2.8 kg. From my personal point of view, this is a great amp when combining clean and slap sound -the Markbass filter is really cool for your slap tone. I also like the option to handle separately low mids from bass, and low mids from hi mids, and hi mids from trebles. A very useful demo is also here • Markbass - LITTLE MARK IV and LITTLE MARK ...