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Color Kinematics is the most experimental works I've ever done. It features live feedback capture and manipulation, where I create audio feedback and make changes to it live, risking total overflow of the speakers! I've also been doing videography of broken glass in pitch black conditions without my camera lens, seeing the refraction in the light. This serves as the visual component to the work, which again, I control live. This is 30 minutes of straight improvisation. No generative AI has been used in the production, execution, or editing of this work. 📯 Horn Lessons: Trying to get better at horn? I can help. Learn more about my teaching here: https://www.briankm.com/horn-teaching... 💻 Live Electronics: I also teach electronics- want to do what I do? Send me a message at briankm.com 📱 Socials: @imbriankm Like, comment, and subscribe to my channel for more videos like this! And if you found this video cool or helpful, please share it with others who might benefit from it. Do you like this and want to support what I do? Subscribing to the channel is great, but subscribing to my email list is even better. Email subscribers have a direct line to my behind the scenes work, early announcements, and more! Subscribe at briankm.com, or this link https://mailchi.mp/ed2e693dc394/email... Gear Used in this Session: Horn: Custom Balu Anima Fratris Software: Ableton Live Suite, Showsync Videosync 2 Controllers: Ableton Push 3, Novation Launchkey Foot Controller: Keith McMillen SoftStep 2 Microphone: Shure Clip-on (Beta 98H/C) Visuals: Olympus OM-D E-M1 Mark III (Lens-less light refraction)