Beethoven - Sonata for Violin and Piano, No 10 in G major, Op 96 скачать в хорошем качестве

Beethoven - Sonata for Violin and Piano, No 10 in G major, Op 96

Beethoven - Sonata for Violin and Piano, No 10 in G major, Op 96 I Allegro moderato II Adagio espressivo III Scherzo: Allegro IV Poco allegretto Mr Leung Kin-fung, Violin Dr Cheng Wai, Piano Nearly a decade separated Beethoven’s composition of his last sonata for violin and piano and the preceding Kreutzer Sonata. The Tenth was composed for the leading French violinist Pierre Rode (1774-1830), who made a visit to Vienna in 1812. Rode was known for his gentle playing and refined tone, which was evidently taken into consideration when Beethoven wrote for him, since the sonata stands apart among all of Beethoven’s output for its contemplative tranquility and intimacy. It was first performed by Rode and the composer’s notable patron, friend and pupil, Archduke Rudolph (1788-1831), at the piano, and was published in 1816 after revision with dedication to the Archduke. The first movement sets the tone, beginning quietly with the violin initiating melodic fragments that engage the piano in expanding and interweaving dialogue. The mesmerising calmness of the expressive second movement eventually settles on an unstable dissonance, which leads directly into a scherzo abundant with sharp offbeat accents and a concise trio. In the finale, a set of seven variations on a theme of folk-like simplicity concludes Beethoven’s last sonata for violin and piano in good spirits. 貝多芬創作「克魯采奏鳴曲」 後，相距近十年才寫作他最後一首小提琴及鋼琴奏鳴曲。第十奏鳴曲是寫給首屈一指的法國小提琴家盧特 (1774-1830)，他1812年他到訪維也納，其演奏以柔和與精緻的音色聞名。貝多芬為他創作時，顯然將盧特此一長處放在心上，因為這首奏鳴曲是他同類型所有作品中最與眾不同，帶着沉思的恬靜與親密感。樂曲由盧特及貝多芬重要的贊助人、朋友兼學生魯道夫大公爵 (1788-1831)彈奏鋼琴首演，1816年經修訂出版，題獻給魯道夫大公爵。 第一樂章為全曲的定調，由小提琴以寧靜的琴音開始，然後插入一些零散的旋律。接著鋼琴加入，擴大和交織出小提琴與鋼琴的對話。抒情的第二樂章裡，令人著迷的寧靜最終停落在一個不協和的和聲。隨即直接進入諧謔曲，弱拍常有重音，引人注目，三重奏則短小精悍。終樂章按著民謠般的簡樸主題，發展出七個變奏，貝多芬最後的小提琴及鋼琴奏鳴曲，便這樣地以愉快的調子結束。