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Robert Lee Zemeckis (born May 14, 1952)[3] is an American filmmaker. He first came to public attention as the director of the action-adventure romantic comedy Romancing the Stone (1984), the science-fiction comedy Back to the Future film trilogy (1985–1990), and the live-action/animated comedy Who Framed Roger Rabbit (1988). He subsequently directed the satirical black comedy Death Becomes Her (1992) and then diversified into more dramatic fare, including Forrest Gump (1994),[4] for which he won the Academy Award for Best Director and the film won Best Picture. He has directed films across a wide variety of genres, for both adults and families. Zemeckis is regarded as an innovator in visual effects.[5][6] His exploration of state-of-the-art special effects includes the early use of insertion of computer graphics into live-action footage in Back to the Future Part II (1989) and Forrest Gump, the insertion of hand-drawn animation into live-action footage in Who Framed Roger Rabbit, and the pioneering performance capture techniques seen in The Polar Express (2004), Monster House (2006), Beowulf (2007), A Christmas Carol (2009), and Welcome to Marwen (2018). Though interest in Zemeckis has at times been solely limited to his work with special effects,[7] his work has been praised by several film critics, including David Thomson, who wrote that "no other contemporary director has used special effects to more dramatic and narrative purpose."[8] Robert Lee Zemeckis was born on May 14, 1952, in Chicago[citation needed] the son of Rosa (née Nespeca)[9] and Alphonse Zemeckis.[10] His father was Lithuanian-American while his mother was Italian-American.[9] Zemeckis grew up on the South Side of the city.[11] He attended a Catholic grade school and Fenger Academy High School.[12] Zemeckis has said "the truth was that in my family there was no art. I mean, there was no music, there were no books, there was no theater... The only thing I had that was inspirational, was television—and it actually was."[12] As a child, he loved television and was fascinated by his parents' 8 mm film home movie camera. Starting off by filming family events like birthdays and holidays, he gradually began producing narrative films with his friends that incorporated stop-motion work and other special effects. Along with enjoying movies, Zemeckis remained an avid TV watcher. "You hear so much about the problems with television," he said, "but I think that it saved my life." Television gave Zemeckis his first glimpse of a world outside of his blue-collar upbringing;[12] specifically, he learned of the existence of film schools on an episode of The Tonight Show Starring Johnny Carson. After seeing Bonnie and Clyde with his father and being heavily influenced by it,[7] Zemeckis decided that he wanted to go to film school. His parents disapproved of the idea, Zemeckis later said, "But only in the sense that they were concerned... for my family and my friends and the world that I grew up in, this was the kind of dream that really was impossible. My parents would sit there and say, 'Don't you see where you come from? You can't be a movie director.' I guess maybe some of it I felt I had to do in spite of them, too."[12]