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Wen Shu ,文俶 (1595 - 1634), is known for her exquisite and detailed paintings of flora and small insects during the Ming dynasty. She is considered the finest flower painter of the period. Her work was popular at the time and still is. Her painting Rising Early in the Spring to Lament Flowers sold for 413,000 US dollars in 2015, four times its estimate. But Wen also lived during a time when the excruciating practise of foot binding became more severe, by breaking the toes and tightly binding the feet of little girls and women. We would really love to be able to allocate more time to representing and promoting female artists on Mikono Art. You can easily and safely donate via PayPal: https://paypal.me/MikonoArt You can also subscribe for updates: / @mikonoartartmadebywomen Greatly appreciated! ........................................ #wenshu #womanartist #mikonoart We are no art experts! We are just genuinely interested in female artists and painters around the world. Do you have a favourite female painter you want us to cover? Let us know in the comments below, and we’ll consider making YouTube video! This video is under Fair Use. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Enjoy. ---------------------------------------------------------------- Voice over: courtesy of Sharlene M Paintings Painting of Flowers and Bird, Wen Shu, 17th century, Shanghai Museum Rising Early in the Spring to Lament Flowers, Wen Shu, 1632, Private collection Insects, Birds and Flowers, Wen Shu, 17th century, unknown Flowers and Butterflies, Wen Shu, 17th century, unknown Sources of information: Female Artists in History / female.artists.in.history Wikipedia https://en.wikipedia.org/wiki/Wen_Shu https://en.wikipedia.org/wiki/Chinese... Wen Shu, 1595-1634.” Artibus Asiae, vol. 53, no. 1/2, 1993, pp. 259–261. JSTOR, www.jstor.org/stable/3250518. Lee, Lily Xiao Hong; Wiles, Sue (2014). Biographical Dictionary of Chinese Women: Tang Through Ming, 618-1644. M.E. Sharpe. p. 444. ISBN 9780765643162. Retrieved 1 July 2019. Lee, Sylvia, (2016), Co-branding” a Cainü and a Garden: How the Zhao Family Established Identities for Wen Shu (1595–1634) and Their Garden Residence Hanshan, Maura Zephier, The Callous Fate of Chinese Women During the Ming Dynasty—Explored Through Ostensibly Beautiful Paintings, University of Wisconsin https://minds.wisconsin.edu/bitstream... Amanda Foreman, Why Footbinding Persisted in China for a Millennium, 2015,Smithsonian Magazine https://www.smithsonianmag.com/histor... Creative Commons & Fair Use Classical Gardens of Suzhou, China in 4K Ultra HD, Amazing Places on Our Planet • Classical Gardens of Suzhou, China [... Unbound: China's last 'lotus feet' – in pictures Jo Farrell, 2015 , The Guardian https://www.theguardian.com/artanddes... Chinese shoes for bound feet, The Children's Museum of Indianapolis. https://en.wikipedia.org/wiki/File:Fo... Video by KML from Pexels https://www.pexels.com/@kml-1179532? Cealan Pixabay https://pixabay.com/videos/china-map-... Video by David Clausen from Pexels https://www.pexels.com/video/butterfl... Why Footbinding Persisted in China for a Millennium, Amanda Foreman, 2015, Smithonian Magazine