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THE EPOCH OF THE DEEP MAGIC COMES TO A END, THE WORLD IS ON THE BRINK OF COLLAPSE, AS 12 CIVILIZATIONS ABUSE MAGIC WITH CATASTROPHIC RESULTS. Ekal-Vereth — “Gravemirror Equinoxwave” Ekal-Vereth live where the world feels thinnest: on knife-edge ridges, over sinkholes of slow-falling stone, in cities slung between opposing pulls like lanterns on invisible chains. To them, gravity isn’t a law—it’s an instrument. Their sages map “weight-lines” the way sailors map currents, and their architects hang entire districts from anchored monoliths, so that streets tilt with the moods of the sky. Rituals are measured in oscillations, not hours: pendulums of obsidian swing over fault-altars, and when they cross a certain arc, armies move, oaths trigger, gates unlock. Ekal mages bend fall and rise into weapons and wards—crushing an incoming spear-line into the ground, or letting a vanguard step sideways into low-grav corridors where a single leap crosses a canyon. They speak of the Gravemirror: the unseen surface between up and down where every burden has a reflection, every choice a counterweight, and a people can stand—briefly—perfectly poised between collapse and ascent. EPOCH 2,080,000 BCE — The Album Epoch 2,080,000 BCE is a mythic-sci-fi concept album framed as danceable relics from a lost age: temple anthems, border-realm interludes, and ritual talk-tracks pulled from the moment before everything breaks. The sound starts with retrowave/synthwave and folds in strange time signatures and harmonic twists inspired by prog and jazz fusion—then drowns it all in surreal, saturated magic. Each track is tied to one of twelve first civilizations and their custom “microgenres,” from storm-ridden caravan beats to barrow-depth necrosynth, designed to work as club-level hooks even while they feel alien, ancient, and wrong in just the right way. EPOCH 2,080,000 BCE — The World The setting is Earth around 1.52 million BCE, in the final glow of the First Epoch. The continents of Mu, Lemuria, Atlantis and the old continents are crowded with city-hives, prism citadels, root-grown metropoles, and barrow networks—every road, weapon, and heartbeat powered directly by magic. Twelve great cultures shape reality through elemental and conceptual sorcery, and the fabric of the world is fraying under the strain: storms that remember names, cities orbiting monoliths, rivers that carry dreams instead of water. Unseen above this saturation of spellwork, thirty-six Transcendents are coalescing—the future gods of later ages—about to be born in a single catastrophic “correction” that will erase most of what these songs describe. This album lives in the last nights before that event. Note: This is an AI-assisted science-fiction/fantasy concept album, part of an experiment in AI-driven worldbuilding, music prompting, and visual design. No humans were harmed in the making of this epoch.#synthwave #retrowave #fantasy #aimusic #electronicmusic