У нас вы можете посмотреть бесплатно Tim Collins | Jazz Improvisations on Bach II - Marimba & Vibraphone (2025) или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
0:00 BWV 153-9 Ach Gott wie Manches Herzelied 10:00 BWV 106 - Actus Tragicus 17:18 The Most Difficult Program To Play 19:35 “Brandenburg Blues” BWV 1051 (Last Movement) 27:55 BWV 153-5 Befiehl du deine Wege 37:18 BWV 1001 (G Minor Violin Sonata, Presto) Recorded August 16, 2025 at the St. Michael's Basilica in Mondsee, Austria. Thanks to Gottfried Holzer-Graf and Christiane Keckeis for trusting me with this program! Here's a link to the first concert in 2023: • Tim Collins "Bach Meets Jazz" | Marimba & ... My recordings & lessons: https://www.timcollinsmusic.com J.S. Bach is the greatest composer of all time. Full stop. Period. End of discussion. Every note is so perfectly chosen - the harmonies are so beautifully developed - the pieces unfold in such a natural and logical way... so let me be clear when I say this: when improvising on Bach, one simply has to accept the fact that the improvisations themselves are inherently inferior to the original score! Trying to stay true to the original music, while combining its language with the language and world of music that I spend most of my time playing (jazz!) is something that I wanted to present in a natural and simple way. I didn't want to make a big deal out of anything - my improvisations are what they are... a reflection of my personality. But my personality also includes a deep love of Bach - I've been playing Bach in some form or another since I was a little kid. So to use his compositions as a springboard into some other world that feels real and current today - that is what I wanted to do in this concert. Another challenge was the fact that I've played a concert like this once before already in 2023 (video is on this channel). I wanted to play mostly the same repertoire, but the difference now is that I've had two years to grow with that music and internalize it even more. With the opening chorale, BWV 153-9 "Ach Gott wie Manches Herzelied", I practiced it in several different keys because I wanted to have some options for new tonalities during the concert. In the concert, I ended up playing it in the keys of C, Ab (which I practiced) and then somehow also in F (which I didn't practice!). The "Brandenburg Blues" was pretty much a totally spontaneous arrangement based on the main themes of Brandenburg Concerto No. 6 in B Flat (the last movement). This has always been one of my favorite melodies. I always felt like there was some loose connection between that piece and some Blues progressions - and because of where it was in the program, and the connection I was feeling from the audience, it felt right to kind of lean into those bluesier elements for a few minutes.. and then I had some fun kind of jumping back and forth into the original melody. BWV 153-3 "Befiehl du deine Wege" is one of my absolute favorite of Bach's chorales. It's so haunting - every voice is so important - they all lead somewhere logical, yet completely unexpected. This is another one that I practiced in several keys, but this time I think I ended up staying in one key. It is one of those pieces that can set a 'mood', and then I can sort of follow that mood off into unknown territories for a while, just to see what's over there. And then the final piece is the one that of course I stressed the most over in preparation - the Presto (final movement) of the G minor violin sonata. It's so extremely difficult to play this piece correctly on the vibraphone (or marimba)... missed notes are a part of life, and normally I'm not a perfectionist to that max level - but, you see, Bach's compositions are perfect. If I miss ONE bass note, then the entire chord doesn't ring.. all the voice leading goes wasted.. so it's frustrating - not because I'm thinking "darn, I missed a note", but because I'm thinking "darn - people won't hear how cool the chord progression is" Anyway, missed notes aside (and the half-hearted improv at the beginning), I think this is probably one of the most successful versions of this movement that I've ever played. At least I got the final chord right ;) I hope you enjoy! #vibraphone #bach #jazz