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Penelope Spencer and David Roblou at King's Place, London. 24 March 2013. This was the 4th piece in the programme "Missing Masterpieces" (part of the King's Place 'Bach Unwrapped' series). The programme comprises all the sonatas for violin with harpsichord accompaniment by Bach or thought to be by Bach. Authorship of this C minor Sonata is problematic. Long thought to be by Bach, a copy in what seems to be Pisendel's handwriting leads some to conclude that it might be by Dresden's celebrated Konzertmeister. Baroque violinist Andrew Manze however observes that with nothing of similar quality in the rest of Pisendel's output, the sonata would have had to have been a bolt from the blue. Others argue that pointers such as the structural model and the lie of the violin part suggest Bach. Whatever the case, it's a powerfully disquieting work, the opening Adagio, haunted and haunting, harmonically bent on evoking mystery -- a mystery subsequently dispelled by the no-nonsense fugal thrust of a decidedly Bachian Presto, the tender reassurance of the Eb Affetuoso, and the determined Finale with its hint of Polonaise.