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The D Major fugue of Bach's Well-Tempered Clavier, book one, starts with a big contrast in note values: a bunch of 32d notes followed by the much slower dotted eight note - sixteen. What does Bach want us to do as performers? Treating the 32d notes ornamentational? Or structural? Solving that question is a really important one, since it determines much of what follows. Let me tell you how I see this. Hope this inspires you on your path of constant #discoveries ! ================================================= ☕ One cup of coffee... a month! That is what it would take you to become a die-hard supporter for Authentic Sound and join the Patreon community : ▶ / authenticsound ================================================= The 3 'YOUR SELECTION' CDs now available on: 👉http://www.authenticsound.be/yoursele... ================================================= Join our mailing list (and get the 356 page E-BOOK 'Your Selection' for FREE) here: 👉http://bit.ly/2loP6Gb ================================================= Subscribe for more videos 👉http://bit.ly/2mWWVB9 Website: ▶http://www.authenticsound.be