Why Peter McKinnon Is BAD For Film Photography скачать в хорошем качестве

Why Peter McKinnon Is BAD For Film Photography

Pwhhaaats up! In this video, we're going to delve into what will no doubt be a mildly controversial topic. Peter McKinnon's recent foray into film. Now, before we begin, let me clarify that this is not a personal attack on Peter himself. It's about examining the potential negative impacts of his influence on the film photography community. As a significantly louder voice in the space, his immense popularity can have unintended consequences for both seasoned film photographers and newcomers alike. When you search for anything related to film photography on YouTube, Peter McKinnon's videos are likely to dominate the top search results. With his massive subscriber count, he naturally ranks higher, overshadowing established film photographers who have been actively working in the medium for years. This can lead to their voices being drowned out, making it difficult for them to reach the audience they deserve. Another concern arises from Peter's influence on the market. As his popularity grows, so does the demand for the cameras he chooses to shoot with. This sudden surge in demand inevitably drives up the prices of those specific camera models, making them less accessible for aspiring film photographers on a budget. This inadvertently creates a barrier to entry for those who simply want to explore the world of film without breaking the bank. Moreover, it's essential to recognize that Peter McKinnon is primarily known for his digital photography and videography skills. While his expertise in these areas is unquestionable, the same cannot be said for his experience with film. Film photography requires a distinct skill set and understanding of the medium, including knowledge of different film stocks, exposure techniques, and darkroom processes. Without a strong foundation in film photography, it's doubtful that Peter can offer the same level of insightful advice and guidance that seasoned film photographers can provide. Ultimately, the purpose of this video is not to discourage anyone from watching Peter McKinnon's content or experimenting with film photography. However, it is crucial to approach his film-related content with a critical eye and recognize the potential negative consequences of his overwhelming influence. Let's ensure that the voices of experienced film photographers are not drowned out, and let's encourage a diverse range of perspectives and talents to flourish within the film photography community. Here's my Patreon if you'd like to donate!   / overexposedfilm   Get your film here, and support my channel! Velvia 50 in 35mm - https://amzn.to/44gnBS5 Velvia 50 in 120 - https://amzn.to/3D6cEXi Velvia 100 in 35mm - https://amzn.to/3JRa9fg Velvia 100 in 120 - https://amzn.to/3pNxZS6 Fuji 200 - https://amzn.to/3zlDKHF HP5 - https://amzn.to/3OJXSc3 Cinestill 800T - https://amzn.to/3qcwY2Q Portra 160 - https://amzn.to/3Q92Xfh Portra 400 - https://amzn.to/3RkDJvi #35mmfilm #filmcamera Thanks for watching!