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Tatiana Lomahaftewa-Singer and Manuela Well-Off-Man, Curator of Collections and Chief Curator, respectively, at the IAIA Museum of Contemporary Native Arts (MoCNA), discuss the traveling exhibition "Action/Abstraction Redefined". They curated the exhibition with Lara Evans, former IAIA professor of Native Art History. "Action/Abstraction Redefined" was on display at the Schingoethe Center from October 2 to December 15, 2023. Tatiana Lomahaftewa-Singer Biography: Tatiana Lomahaftewa-Singer is the Curator of Collections at the IAIA Museum of Contemporary Native Arts (MoCNA) in Santa Fe, NM. She is an enrolled member of the Choctaw Nation of Oklahoma and Hopi and holds a BFA in Fine Arts Administration from the University of Arizona, Tucson. Lomahaftewa-Singer has more than 30 years of experience with contemporary Native American art and has curated or project-managed exhibitions at MoCNA including: "The Stories We Carry, Experimental Expression: Printmaking at IAIA, 1963-1980", "Action/Abstraction Redefined: Native American Art, 1940s to 1970s", "Linda Lomahaftewa: The Gift of Art", "iCon: A Tribute to Allan Houser", "Lloyd Kiva New: Art, Design & Influence", "50/50: Fifty Artists, Fifty Years, Drawing from the Collection", "Voices from the Mound: Contemporary Choctaw", and "Lifting the Veil: New Mexico Women and the Tri-cultural Myth". Manuela Well-Off-Man Biography: Dr. Manuela Well-Off-Man is an art historian and chief curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Mexico. She previously served as curator at Crystal Bridges Museum of American Art and at the Montana Museum of Art and Culture. With more than 20 years of curatorial experience in museums and galleries, she has curated national and international contemporary Native American art exhibitions. Well-Off-Man received her Ph.D. in art history from the Ruhr University, Bochum, Germany, and her M.A. degree in art history, archaeology and pedagogy from the University of Cologne, Germany. She has authored numerous exhibition catalogue essays, magazine articles and blogs on American art. Among her publications are the exhibition catalogs "Exposure: Native Art and Political Ecology" (2021), "Indigenous Futurisms: Transcending Past/Present/Future" (2020), "Action/Abstraction Redefined" (2019), and "Connective Tissue: New Approaches to Fiber in Contemporary Native Art" (2017), as well as an article in The Art Bulletin (Sept. 2022).