Giacun Caduff Post Oscar Interview скачать в хорошем качестве

Giacun Caduff Post Oscar Interview

QUESTION 1) What were a few key factors that you think caused the film to be considered for an Oscar? 1:02 DAVE QUESTION 2) What were the biggest pre-production challenges for this piece? 2:58 ROB QUESTION 3) Why did you use a bakery that you had to rebuild instead of finding one already done? 4:29 RANDY QUESTION 4) What obstacles made you fear for the life of the project, and how did you power through? In a round about way he answered it. I may have “derailed” the question a bit. 6:02 DAVE QUESTION 5) What worked on this project, but didn’t work on others? What didn’t work? 8:11 DANIELLE This section talks about how partners help to get your film recognized. 11:44 SHOULD WATCH QUESTION 6) How does an independent film or TV producer education themselves to be considered for a major award? 12:23 DAVE Try researching people who run festivals get to know them. 15:30 SHOULD WATCH QUESTION 7) Did you know what your festival goals earlier in the creative process and did that affect your creative decision? DAVE 16:46 Earlier the partners suggested we change and use the Italian train system because there was a big event happening. This discusses creative choices and creative impact. 18:59 SHOULD WATCH Discusses screening movie for film festival directors. SHOULD WATCH. 20:35 QUESTION 8) Do you think it's better for newer filmmakers to target smaller awards, or do you believe in targeting the big awards early on? 21:38 DAVE QUESTION 9) One issue with the industry here is the preference given to talent located where the industry has been able to establish itself.  This is a struggle for actors anyway.  The reason why many, including myself, move to NYC or LA. Is that similar in Switzerland? 25:32 ERIC Networking is important. 28:40 SHOULD WATCH QUESTION 10) How many years have you been shooting/making films? networking 25 years answer. 28:40 GARY QUESTION 11) When you went into pre-production was your process similar to previous projects or was it more freeform. 29:39 ROB QUESTION 12) What was the shooting schedule and budget? (Only shooting schedule and pre-production schedule) story development 1 year. 30:11 GARY QUESTION 13) How did you organize the cooperation with the TGV train? 31:14 DANIELLE QUESTION 14) What are some of the intangibles you saw on the set that you knew were unique to the shoot vs other films you have done? 34:06 DANIELLE QUESTION 15) What is the culture of filmmaking in Switzerland? i.e. Do they prefer established talent with name, resume and budget that will in turn also help promote their film? Or do they scan the market with egalitarian eyes? 37:36 ERIC QUESTION 16) How was the film funded? 37:56, also 42:15, 50:16 GARY QUESTION 17) If you could do things over what would you do differently? 39:52 RANDY QUESTION 18) How did you identify and approve crew members? 41:31 DANIELLE QUESTION 19) What are the distribution plans?  43:26 GARY QUESTION 20) What were a couple of your productions challenges that you had to overcome? FINDING NEW TRAIN TRACKS 45:06 RANDY QUESTION 21) Was it necessary to have gotten notice in other festivals to get an Oscar notice? 46:45 REN QUESTION 22) Has the nomination opened doors for you? 48:09 DAVE QUESTION 23) Did financial backers want to influence creative decisions, and how did you handle that? 50:35 DAVE QUESTION 24) What had the most influence in getting the Oscar nomination; technical film making expertise or story and character development? 51:51 REN QUESTION 25) What was it like starting with a script and moving onto production for this particular piece and was it different than your other projects? 52:43 ROB CREDITS: 53:48