Meditative Raag Bhairavi | Pandit Rupak Kulkarni | Dawn| Darbar VR360 скачать в хорошем качестве

Meditative Raag Bhairavi | Pandit Rupak Kulkarni | Dawn| Darbar VR360

#darbarfestival | Many describe Bhairavi as the ‘king of morning ragas’, hailing its unique melodic shape and versatile capabilities, able to be explored in all three octaves ► Welcome to the Darbar VR360 Festival. We’ve released over 50 immersive VR videos showcasing some of India’s finest artists performing in breathtaking natural landscapes, spanning Hindustani, Carnatic, Dhrupad, and percussion. For the best experience use a VR headset with headphones. Experience being the sole ‘audience member’ right next to the musicians for your own private raga performance, enjoying the music amidst India’s natural world. For more info, including the full program, see www.darbar.org/video360 ----------------------------------------------------------------------------------------------------- Pandit Rupak Kulkarni is one of today’s finest bansuri exponents, with a style rooted in Ustad Allauddin Khan’s Maihar gharana. He is the senior disciple of Pandit Hariprasad Chaurasia, having been accepted as the great master’s disciple after early training with his father Pandit Malhar Rao Kulkarni - he started learning tabla at the age of two, and took up the bamboo flute soon after. He describes his time with Hariprasad with fondness: “No matter how much he is tired and fatigued, he loves teaching. He just loves holding the flute 24hrs. He never scolded me for anything and always encouraged youngsters”. Rupak has since sought to expand his guru’s pioneering approach, notably through looking to the work of surbahar legend Maa Annapurna Devi, and through studying the layakari (rhythmic interplay) of Pandit Shivkumar Sharma. He has created new ragas - including Rang Malhar and Sonakshi - and even new flutes to aid in his quest, including the huge bass-toned adbhut bansuri (‘flute of wonder’). He enjoys passing down the knowledge he has gained, saying that teaching “is food for my brain, so that I can improve myself - today's young generation is very curious”, and advises up-and-coming artists to keep their minds open to outside influences (“be well-versed in Indian and Western classical”), and takes a deep interest in the therapeutic use of Indian music. In his words, “musical satisfaction is about becoming one with Sa [Indian music's ever-present root note]”. Read an extended interview with Rupak, and see his artist page here: -https://www.darbar.org/article/pandit... -https://www.darbar.org/artist/pandit-... “The bansuri is just a simple piece of bamboo. But it brings many benefits, not only for your ears but for your entire body and soul. Pranayama [breathing meditation] happens automatically, so to play is to soothe the mind. The flute needs no maintenance - the only thing you need is to be in tune internally.” (Pandit Rupak Kulkarni) ----------------------------------------------------------------------------------------------------- Bhairavi is inextricably linked to the dawn hours - so much so that Darbar, with our evening-dominant concert schedules, have never been able to release a recording of it until now. Many describe it as the ‘king of morning ragas’, hailing its unique scale shape and versatile melodic capabilities, able to be explored in all three octaves. It takes the swaras SrGmPdNS, with the Re and Dha tuned ati komal (extra flat) and played in an oscillating fashion. Artist must treat the three-in-a-row NSr cluster carefully, using ma to bring balance and open out the sound. Bhairavi is very similar in tonal material to the Hindustani Raag Kalingada and the Carnatic Ragam Mayamalavagowla, but moves differently to both of them. ----------------------------------------------------------------------------------------------------- Recorded by Darbar in 2019, on location in West India: -Pandit Rupak Kulkarni (bansuri) Technical team credit: Jagdeep Shah, DOP Sandeep Virdee, location sound Nirmal Singh, 360 editor Christoph Bracher, ambisonic sound dubbing Narvir Singh, assistant editor Special thanks to Sherna Chatterjee & Mortimer Chatterjee Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.