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Mirage — an Opera in the Desert We didn’t plan an opera. We planned water, shade, maybe a cigarette. Opera happened anyway. Souad tuned the silence like a bad piano. Cathienne adjusted her coat, like taste could save you. Julie smiled the way statues do— as if eternity had asked her out for coffee and stood her up. Roberto strummed something optimistic, which is illegal in most deserts. The sand listened. It always does. The camels didn’t clap. They understood restraint. Somewhere far off— so far it might’ve been yesterday— Vazira waved. Or maybe the heat waved for her. Same thing out here. Samarkand was too far. Too historical. Too many postcards pretending they’d been somewhere real. So we stayed. And played. It wasn’t good music. It was necessary music. The kind that happens when you don’t believe in endings but still want a decent pause. I thought about leaving. I always do. Then the mirage flickered, and for a second everything made sense— which scared me more than it should have. Anyway. Happy New Year. From the desert. Where nothing lasts except the echo and the joke that maybe it was all worth it.