"Un Chien Andalou" (1929) - Full Movie скачать в хорошем качестве

"Un Chien Andalou" (1929) - Full Movie

"Un Chien Andalou" is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months. Un Chien Andalou has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. The first screening of "Un Chien Andalou" took place at Studio des Ursulines, with an audience of le tout-Paris. Notable attendees of the première included Pablo Picasso, Le Corbusier, Jean Cocteau, Christian Bérard and Georges Auric, in addition to the entirety of André Breton's Surrealist group. The audience's positive reception of the film amazed Buñuel, who was relieved that no violence ensued. Dalí, on the contrary, was reportedly disappointed, feeling the audience's reaction made the evening "less exciting". Buñuel since claimed that prior to the show, he had put stones in his pockets "to throw at the audience in case of disaster", although others had no recollection of this. It was Buñuel's intention to shock and insult the intellectual bourgeoisie of his youth, later saying: "Historically, this film represents a violent reaction against what at that time was called 'avantgarde cine,' which was directed exclusively to the artistic sensibility and to the reason of the spectator." Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie, leading Buñuel to exclaim in exasperation, "What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?" After its "triumphant premiere", "Un Chien Andalou" was bought by the owner of "Studio-28". During its eight-month run, forty or fifty informers came to the police with a demand to ban such an indecent and cruel film. This was the beginning of years of insults and threats that haunted Buñuel until his old age. A likely apocryphal account claimed that two miscarriages occurred while watching the film. Despite the criticism, however, the film was never banned. Through their accomplishment with "Un Chien Andalou", Dalí and Buñuel became the first filmmakers to be officially welcomed into the ranks of the Surrealists by the movement's leader André Breton, an event recalled by film historian Georges Sadoul: Breton had convoked the creators to our usual venue [the Café Radio] ... one summer's evening. Dalí had the large eyes, grace, and timidity of a gazelle. To us, Buñuel, big and athletic, his black eyes protruding a little, seemed exactly like he always is in "Un Chien Andalou", meticulously honing the razor that will slice the open eye in two." The Japanese filmmaker Akira Kurosawa cited "Un Chien Andalou" as one of his favorite films.