Learning Color - 10-How to "create" oscillating colored. скачать в хорошем качестве

Learning Color - 10-How to "create" oscillating colored.

To learn and master the physical mixing principles and color matching rules of pigments, combined with Johannes Itten's color order theory and Josef Albers' color relativity theory, we have compiled 100 practical strategies, divided into ten parts, each containing 10 cases: I. Physical Mixing: The Fundamental Principles of Pigments (Based on Itten's primary color theory, mastering how to accurately mix colors) 1. Creating a color wheel to master the principles of primary colors: 2. Secondary color generation: 3. Tertiary color evolution: 4. Complementary color cancellation: 5. Warm and cool color tendencies in mixing: 6. Avoiding "muddy" colors: 7. Increasing brightness: 8. Creating shadow colors: 9. The thickness of gray tones: 10. Differences between wet and dry colors: II. Itten's Seven Color Contrasts in Practice (Using contrast to create visual tension) 11. Hue contrast: 12. Light-dark contrast: 13. Warm-cool contrast: 14. Complementary contrast: 15. Simultaneous contrast: 16. Saturation contrast: 17. Area contrast (quantity contrast): 18. Subtle transitions of warm and cool color temperatures: 19. Edge contrast control: 20. The dominant role of hue: III. Albers' Color Relativity: Interactive Practice (Understanding how colors "deceive" the eye) 21. The "One Color is Two Colors" experiment: 22. Background absorption effect: 23. Subtractive color mixing illusion: 24. Vibration of color boundaries: 25. Simulating the transparency of colors: 26. Hue separation: 27. Brightness separation: 28. Achromatic interference: 29. Edge light effect: 30. Spatial distance displacement: IV. Mastering Advanced Grays: The "Alchemy" of Color Mixing 31. The bridge of earth tones: 32. Three-color neutralization: 33. The secret of Morandi colors: 34. Adjacent gray tones: 35. Environmental color penetration: 36. Shadows are not black: 37. Sky gray formula: 38. Skin tone mixing: 39. Unified gray base tone: 40. Saturation gradient: V. Rhythm and Composition: 41. Golden Ratio: 42. Color jumps: 43. Visual gravity: 44. Color spiral: 45. Arrangement of convergence and divergence: 46. Inverse relationship between area and brightness: 47. Color breaking technique: 48. Rhythmic repetition: 49. Spatial perspective color: 50. Light and shadow unity: VI. Psychology and Emotion: Itten's Sensory Expression 51. Expansion of warm colors: 52. Contraction of cool colors: 53. Bright joy: 54. Understated melancholy: 55. Seasonal color simulation: 56. Color association of taste: 57. Sense of weight experiment: 58. Quietness of color: 59. Aesthetics of conflict: 60. Theme first: VII. Pigment Layering and Texture: Physical Practice 61. Glazing: 62. Dry Brush: 63. Wet-on-Wet: 64. Influence of underpainting: 65. Pointillist technique: 66. Impasto: 67. Palette knife mixing: 68. Transparency contrast: 69. The clever use of mediums: 70. The power of negative space: VIII. Albers' Logical Training: Color Matching Exercises 71. Finding the intermediate color: 72. Color exchange exercise: 73. Limited color palette training: 74. Value equivalence exercise: 75. Paper collage method: 76. Hue shift observation: 77. Reverse complementary color training: 78. Color gradient exercise: 79. Saturation stripping training: 80. Imitating master color palettes: IX. Modern Applications: Connecting Screen and Physical Pigments 81. RGB and CMYK conversion awareness: 82. Light Source Color Temperature: 83. Color Contrast Check: 84. Mobile Phone Assistance: 85. Color Wheel Comparison: 86. Digital Color Chart: 87. Controlling Fluorescent Colors: 88. Reflection of Metallic Colors: 89. Color Gamut Limitation: 90. Complementary Color Neutralization Method: X. Ultimate Strategy: Intuition and Coordination of Color 91. From Large to Small: 92. Color Balancing Act: 93. Disrupting Harmony: 94. Finding the "Mother Color": 95. The Breathing of Color: 96. Law of Reflected Light: 97. Creating a Sense of Airiness: 98. Clear Distinction Between Primary and Secondary Colors: 99. Prioritizing Emotion: 100. Continuous Observation: