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a WaveCave installation by jules evens I’m interested in the uncanny beauty of the digital, particularly, how its qual- ities which seem “inhuman” at first glance (e.g. endless, perfect repetitions, or precise intervals of time and distance) can serve to express something human. In my process of making, I increasingly find myself trying to act like a comput- er: drawing the same thing over and over again, or creating a series of marks which have no discernable pattern. What excites me about this practice is the inevitability of my human fallibility revealing itself in the work. In drawing the same thing over and over, for example, the minute changes from one drawing to the next become the substance of the piece. My failure to be a computer is what animates the image. With this project, I went a step farther, propogating these minimalist anima- tions digitally, resulting in computer landscapes of perfectly repeated ges- tures. In endlessly repeating my drawings by digital means, their human marks of imperfection and fallibility are only exagerrated and brought to the fore. More- over, the glitch-y, broken feeling of such computer-repetition itself, may reso- nate with the disjunct experience of being alive as a human being in 2025. The handrawn animations were created entirely with pencil, printer paper, and flashcards. The rest was done digitally.