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This album was conceived in the early 2000's and performed entirely by myself over the handful of years that followed. 00:01 - The Nightmare Factory. This main title track was created using multiple sample libraries in a DAW, as well as a Kurzweil K2600s workstation. It was created during a time when I was studying contemporary classical music and minimalism. I was also testing the waters hoping to get into film composing. There are multiple changes that happen during this track, shifting keys, meter, modes, complex dissonant and cluster, chords, a decadophonic chord, with one section in 12-tone, with a primary theme in phrygian mode and subtle sub themes repeating throughout. I realize not everyone will enjoy this, and few will make it through. Thanks to those who do survive. 33:10 - Prestigium is a track of complex chords of sampled strings and subtle key changes. 36:44 - Antarctic Ice was composed primarily using Brian Clevinger's astounding synthesizer Absynth and fits more into a Dark Ambient realm. 42:58 - Last Moments - Maybe the most difficult track to listen to. This was created primarily using the Kurzweil K2600s. I was pushing the limits of not only open key, serial music (using up to all 12 notes on the keyboard, heard in the piano), but also "tape manipulation" of pitch and time changes, primarily in the percussion, creating an often unsettling, dissonant sound palette. It may go without saying this was the most challenging work of music I ever created, and while I do realize it's not for everyone, in fact it's not likely for most people, I nevertheless am proud of it's originality, and complexity, #horrormusic, #serialmusic, #12tone, #contemporaryclassicalmusic #contemporaryclassical #scary, #horror, #terror, #soundtrack, #filmmusic