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Vienna 1900 - Music from a sunken world Peter Hudler, Violoncello Andreas Teufel, Piano The musical culture in Vienna around 1900 is widely renowned for its exceptional creativity and innovative capacity. This musical culture in fin-de-siècle Vienna was a complex phenomenon characterized by radical shifts as well as continuities with the past and even by contradictory tendencies. The music from this "sunken world" of the late Habsburg empire was influenced by the different nationalities that came together in Vienna, the melting pot of the Habsburg empire at the turn of the century that provided for that big creative outburst in all the arts and sciences that made Vienna one of the most vibrant and attracting cities of the world at the time. The first half of the concert features works by young composers, who were just at the beginning of their careers, but already delivering real master pieces. Erwin Schulhoff represents the Czech, also Jewish, influence, a real prodigy child who was predicted to become the Mozart of the 20th century, but later ended up being killed in Auschwitz. Anton Webern, born in Vienna, who later was at the front of major disruptions in the way composers worked as part of the second Viennese school started out with late romantic style music like in 2 Stücke from 1899, Zoltan Kodaly from Hungary added Folk and Impressionistic flavours and is regarded as one of the first ethno-musicologists together with Bela Bartok. The second half is dedicated to the "mentor" or "teacher", maybe even father figure Johannes Brahms, who lived in Vienna and served both as a musical conservative force but also as the missing link between the classical masters like Mozart and Beethoven and the highly innovative and disruptive work of Arnold Schönberg and the second Viennese school. For more information: https://www.peterhudler.com/post/vien...