Nina Burmi | Composition in Raag Bhairavi | Music of India скачать в хорошем качестве

Nina Burmi | Composition in Raag Bhairavi | Music of India

#darbarfestival | UK-based singer Nina Burmi sings a composition in Raag Bhairavi, accompanied by Ramesh Mishra on sarangi and Sanju Sahai on tabla, live from Darbar Festival 2006. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer --------------------------------------------------------------------- Learn more about the music: Nina Burmi sings in the Kirana gharana style, tackling khayal, thumri, bhajan, and other forms. Currently living in the UK, she trained under the esteemed husband-wife pairing of Dilshad Khan and Parveen Sultana, and combines the latter’s wide vocal range with a more sparsely ornamented approach. She has sung in India, and performed for the Queen. Hear more of Nina here: -Thumri |    • Nina Burmi | Mishra Bhairavi Thumri | Indi...   -Ahir Bhairav |    • Nina Burmi | Composition in Raag Bhairavi ...   -Urban Love |    • Nina Burmi | Urban Love | Darbar Festival   Bhairavi is often described as the ‘queen of ragas’. It takes its name from the Hindu goddess of destruction, and conjures versatile moods. To some it can evoke ‘awe, terror, and chaos’; to others ‘a pleasant sobering atmosphere of love and piety’. It is played at sunrise, or alternatively as the final piece in a concert. Understanding the raga in depth is crucial to Hindustani learning - bansuri master Rupak Kulkarni recounts the approach of his guru Hariprasad Chaurasia: “Guruji taught me Raag Bhairavi for five years. When I complained about the repetition, he said: ‘You have to practice Bhairavi until your last breath’. That is what made me realize what swarabhyas [the study of notes] means”. It is based on the form SrgmPdnS - all swaras [notes] are komal [flattened] except Sa, Ma, and Pa, like the Western Phrygian scale or Carnatic Raga Hanumatodi. The vadi and samvadi [king and queen notes] are typically taken to be Ma and Sa. The raga commonly takes a versatile mishra (‘mixed’) form - all 12 notes are allowed, thus injecting some comparatively rare chromaticism into Hindustani music. Its flexibility is unmatched in the raga pantheon. Listen to more Bhairavi here: -Arshad Khan (esraj) |    • Rare Indian Instrument - the Esraj | Raag ...   -Prabha Atre (khayal) |    • Best then, better now | Dr Prabha Atre | R...   -Niladri Kumar (sitar) |    • Raag Bhairavi | Niladri Kumar & Pandit Sub...   Recorded at Darbar Festival 2006, at Leicester’s Peepul Centre: -Nina Burmi (vocal) -Sanju Sahai (tabla) -Ramesh Mishra (sarangi) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust