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Produced by Mike Chapman Album : Autoamerican "Rapture" - Harry, Stein Deborah Harry – vocals Chris Stein – guitar, tympani Jimmy Destri – piano, organ, synthesizer, background vocals Frank Infante – guitar, background vocals Nigel Harrison – bass, background vocals Clem Burke – drums, background vocals Released : November 1980 Recorded : 1980 Studio United Western Recorders, Hollywood Genre Psychedelic popNew wave Length - 46.39 Label - Chrysalis Producer - Mike Chapman Toe to toe, dancing very close Barely breathing, almost comatose Wall to wall, people hypnotized And they're stepping lightly Hang each night in rapture Back to back, sacroiliac Spineless movement and a wild attack Face to face, sightless solitude And it's finger popping 24-hour shopping in rapture Fab Five Freddy told me everybody's fly DJ spinnin' I said "My My" Flash is fast, Flash is cool François c'est pas, Flash ain't no dude And you don't stop, sure shot Go out to the parking lot And you get in your car and drive real far And you drive all night and then you see a light And it comes right down and it lands on the ground And out comes a man from Mars And you try to run but he's got a gun And he shoots you dead and he eats your head And then you're in the man from Mars You go out at night eatin' cars You eat Cadillacs, Lincolns too Mercurys and Subaru And you don't stop, you keep on eatin' cars Then, when there's no more cars you go out at night And eat up bars where the people meet Face to face, dance cheek to cheek One to one, man to man Dance toe to toe, don't move too slow 'Cause the man from Mars is through with cars He's eatin' bars, yeah wall to wall Door to door, hall to hall He's gonna eat 'em all Rap-ture, be pure Take a tour through the sewer Don't strain your brain, paint a train You'll be singin' in the rain Said don't stop to punk rock Man to man, body muscular Seismic decibel, bite the jugular Wall to wall, tea time technology And a digital ladder No sign of bad luck in rapture Well now you see what you wanna be Just have your party on TV 'Cause the man from Mars Won't eat up bars where the TV's on Now he's gone back up to space Where he won't have a hassle with the human race And you hip-hop, and you don't stop Just blast off, sure shot 'Cause the man from Mars stopped eatin' cars And eatin' bars and now he only eats guitars, get up /_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ The basic Blondie sextet was augmented, or replaced, by numerous session musicians (including lots of uncredited horn and string players) for the group's fifth album, Autoamerican, on which they continued to expand their stylistic range, with greater success, at least on certain tracks, than they had on Eat to the Beat. A cover of Jamaican group the Paragons' "The Tide Is High," released in advance of the album, became a gold-selling number one single, as did the rap pastiche "Rapture," but, despite their presence, the album stalled in the lower half of the Top Ten and spent fewer weeks in the charts than either of its predecessors. One reason for that, admittedly, was that Chrysalis Records pulled promotion of the disc in favor of pushing lead singer Debbie Harry's debut solo album, KooKoo, not even bothering to release a third single after scoring two chart-topping hits. But then, it's hard to imagine what that third single could have been on an album that leads off with a pretentious string-filled instrumental ("Europa"), and also finds Harry crooning ersatz '20s pop on "Here's Looking at You" and tackling Broadway show music in a cover of "Follow Me" from Camelot. Though more characteristic, the rest of the tracks are weak compositions indifferently executed. Thus Autoamerican was memorable only for its hits, which would be better heard when placed on a hits compilation. "Rapture" is a song by American rock band Blondie from their fifth studio album Autoamerican (1980). Written by band members Debbie Harry and Chris Stein, and produced by Mike Chapman, the song was released as the second and final single from Autoamerican on January 12, 1981, by Chrysalis Records. Musically, "Rapture" is a combination of new wave and hip hop with a rap section forming an extended coda. "Rapture" was another commercial success for the band, shipping one million copies in the United States, where it was certified Gold by the Recording Industry Association of America (RIAA) and spent two weeks at number one on the Billboard Hot 100, their fourth and last single to reach number one. It was the first number-one single in the United States to feature rap vocals. The single also peaked at number three in Canada, and number five in Australia and the United Kingdom.