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How did Scorsese use pure cinema? Did Scorsese think of the audience the way Hitchcock did? In this episode of The Artists, we’re joined once again by the legendary David Sterritt—one of the most respected voices in film criticism and scholarship. Known for his deep, precise writing on Alfred Hitchcock, Jean-Luc Godard, and most recently Martin Scorsese, Sterritt brings rare clarity to a term we hear constantly but rarely define: Pure Cinema. From Hitchcock’s masterful control of suspense and audience attention, to Scorsese’s rhythm, craft, and cinematic intensity—this conversation explores how great filmmakers shape meaning without words, and why the audience matters more than we think. A must-watch for filmmakers, cinephiles, and anyone obsessed with the grammar of cinema. 🎥 Watch the full episode now 📍Clips available on Instagram + YouTube Shorts ⏱️ TIMESTAMPS 00:00 INTRO 00:59 Understanding Pure Cinema 04:00 Hitchcock and Pure Cinema (great section) 08:30 How Hitchcock was thinking: process & control 11:40 Thinking about the audience 14:12 Godard never thought of the audience 16:20 Tarantino 18:26 Suspense in Hitchcock films 21:30 2001: A Space Odyssey — cinema, patience, and audiences 31:57 Scorsese & Pure Cinema (clip 1 + clip 2) 35:00 Does Scorsese think of his audience? / Studying Scorsese 41:05 Tarkovsky 41:41 John Cassavetes (1974) 45:00 Scorsese — not thinking too much about the audience #TheArtistsPodcast #DavidSterritt #MartinScorsese #AlfredHitchcock #PureCinema #FilmLanguage #FilmTheory #CinemaStudies #FilmPodcast #Cinephile #suchitabhhatia #Vertigo #Suspense #Directing #Screenwriting #FilmAnalysis #MovieTalk #YouTubePodcast #CinemaLovers #FilmCommunity #AuteurCinema