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🎙️ In This Interview: I sit down with Academy Award–nominated filmmaker Hilla Medalia to discuss her Oscar-nominated documentary short Children No More: Were and Are Gone. We explore why she chose a purely observational approach without narration, how she and cinematographer Avner Shahaf crafted a visual language built on stillness amid chaos, and what responsibility means when documenting events that are immediate and emotionally raw. Hilla also reflects on collaborating with editor Erez Laufer to shape repetition and rhythm without losing impact, and what it means for a quiet, restrained film to now stand on the global stage as an Academy Award nominee. Throughout our conversation, we focus on the human experience at the center of the film and what she hopes audiences carry with them long after the credits roll. 🎬 About This Film: Children No More: Were and Are Gone is an observational documentary short that follows a silent weekly vigil in Tel Aviv, where activists stand holding photographs of children killed in Gaza. With no narration guiding the audience, the film allows the stillness of the protest — and the varied reactions of passersby — to unfold in real time. Through steady camerawork, patient editing, and a restrained musical score, the documentary captures the tension between quiet resistance and the rhythms of everyday life. Nominated for Best Documentary Short Film at the Academy Awards, the film offers a contemplative portrait of grief, witness, and public response, inviting viewers to look beyond headlines and sit with the human weight of what they see. #ChildrenNoMore #HillaMedalia #DocumentaryShort #OscarNominated #AcademyAwards #DocShort #FilmInterview #DirectorInterview #DocumentaryFilm #ObservationalDocumentary #FilmCraft #Editing #Cinematography #HumanStories #IndependentFilm #WorldCinema #ShortFilm #BehindTheFilm #FilmDiscussion #CinephileMike #YouTubeFilmCommunity #NonFictionFilm #FilmTalk #CreativeProcess #AwardsSeason #DocLovers #CinemaCulture #OscarShorts #RoadsideAttractions