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DHOOM IV: THE SMALL BOT PANCHOD ODYSSEY ๐ง INTRODUCTION Experts recommend that every aspiring writer should bash their head against a concrete object at least onceโsmash ego, shatter identity, and unleash the raw, unfiltered genius trapped beneath the sutures. Itโs as if cracking the skull pries open a secret hatch for the writing genie to slip out and wreak beautiful havoc. Mayday Mayday! Lights. Camera. Action! On September 19th, 1940, Roald Dahl crash-landed his Gloster Gladiator in the Libyan desert. Skull fractured, nose smashed, temporarily blindedโhe later claimed, and we believe this with absolute conviction, that the trauma unlocked his creative genius. Before this mythic misfire, Dahl had endured six months of training on Hawker Harts. Commissioned as a pilot officer on August 24th, he was deemed ready to face the enemy. But the British War Office, in a display of its legendary geographic ineptitude, sent him to the wrong coordinatesโstraight into no manโs land between Allied and Italian forces. The crash was brutal. Dahl dragged himself from the wreckage, lost consciousness, and was rescued by a fellow pilot. He was transported by train to the Royal Navy hospital in Alexandria, where he regained consciousnessโbut not his sight. For six weeks, he remained blind, his brain swelling with visions. There, he fell in and out of love with a nurse named Mary Welland. Romance, trauma, and bureaucratic blunderโthis was the crucible that birthed a literary titan. We owe Dahlโs genius to a fractured skull and a misfiled flight plan. Thank you, British navigation. You may not win wars, but you do birth great literature. On May 1st, 1986, four days after the Chernobyl disaster, I was given a dose of Lugolโs Iodine at school and sent off to the Labour Day Parade. I promptly collided with a concrete lamppost. Head trauma. Amnesia. Childhood erased. A film began rolling in my headโand it hasnโt stopped since. Shortly after, I left everything behind, crossed multiple borders, and defected in Vienna. You may shout from rooftops that you know me. You donโt. I do not exist. Morgen Mofรณ is the main character of my story. Welcome to my Kopfkino. In Summer 2025, Uday Chopra, on holiday in Goa, lost a card game to a street bot and walked into a banyan-wrapped, shrine-lit, monkey-guarded lamppost. He ceased to exist as himself. What followed was a bureaucratic odyssey of identity collapse, contraband aristocracy, and Christmas Eve chaos at Greenland Dock, London, England. And then the true Messiah appeared. And shit got really weird. ๐ฌ SCENE ONE: GOA Kismet of Scribes With Head Trauma Opening tableau: Uday Chopra-as-St Carlo Ali Agatino collides with the lamppost of fate. Itโs shrine-lit, banyan-wrapped, and monkey-guarded. In the distance, the smugglerโs ship waits like Charonโs ferry. The card game bot smirks from the shadows, having already dealt destinyโs hand. The tone is surreal. The bureaucracy looms. Identity begins to flicker and fracture. DHOOM IV: SMALL BOT PANCHOD CRUISE ;) My name is Ali. Excuse me to please: Carlo Ali Agatino! There is a new saint in town. Carlo Ali Agatino โ fresh off the boat, salt still in his beard, Dover mist clinging to his jacket. First thing he does? Fakes a visa with biro and bravado, knocks out a pissing knave midโstream, then breaks bread with Polish Jesus on Christmas Eve. A Tesco loaf, a bottle of Cherry Soplica, a carp grilled on a shopping trolley fire โ and lo, the Last Supper is restaged on Greenland Dock. Word spreads fast: a bureaucratโsaint with two left feet, canonised not by Rome but by the Home Office, stamping miracles into passports and sins into pavements. His gospel is paperwork, his relics are forged visas, his miracles are selfies gone viral. The apostles are plumbers, delivery riders, and dockside drunks. The hymn is Dhoom Machale, whistled backwards through the fog. ..And so begins the odyssey: Ali the revenant, saint of small boats, patron of pissโlamppost justice, stumbling into legend with every forged stamp and every broken nose. ๐๐ข๐ฌ๐๐ฅ๐๐ข๐ฆ๐๐ซ: ๐๐๐๐๐ ๐ ๐๐ ๐๐๐ก ๐๐๐ โ ๐ฆ๐๐ข๐ โ๐๐๐ ๐๐๐๐๐๐ ๐ก ๐๐๐ฆ ๐๐๐๐๐๐๐ก๐ ๐๐๐๐๐๐ก๐ ๐๐ ๐๐ข๐๐ ๐ข๐๐ก ๐๐ ๐๐๐ก๐๐๐๐๐ฆ ๐๐๐๐๐ก๐๐๐ ๐ . ๐โ๐๐๐ ๐ ๐๐๐ ๐๐๐๐ฬ๐ ๐๐๐ฆ ๐๐ก๐ก๐๐๐๐ข๐ก๐ ๐กโ๐๐๐ ๐๐๐๐๐ก๐๐ฃ๐ ๐๐ค๐๐๐๐๐๐๐ ๐ก๐ ๐ ๐๐๐๐๐๐๐ ๐ก ๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐ ๐๐๐ ๐ ๐๐ ๐ฟ๐ข๐๐๐๐, ๐ค๐ ๐๐๐๐๐๐ก ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ก๐๐๐ข๐๐ ๐๐ ๐ ๐ค๐๐๐ก๐๐๐ ๐๐๐๐๐๐ก. ๐ผ๐ ๐ฆ๐๐ข ๐๐๐ ๐๐ ๐ก ๐๐ ๐ข๐๐๐๐๐๐๐๐ ๐ฆ๐๐ข๐ ๐๐๐๐๐ ๐๐๐๐๐ข๐ ๐ฃ๐๐ ๐๐๐ข๐๐ก ๐๐๐๐๐, ๐๐๐๐๐๐ ๐๐ ๐๐ฃ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐ข๐๐ก๐๐ก๐๐๐. ๐๐๐๐ฬ ๐๐๐๐๐๐ โ๐๐ ๐๐ค๐ ๐๐๐๐๐๐๐ ๐ก. โโณโด๐โโฏ๐ โณโด๐ปโดฬ #udaychopra #yashrajfilms #yashchopra #morgenmofo #morgenmofรณ #ucrackinia #story #storytelling #storytime #dhoom #dhoommachale #dhoomIV #dhoomfour #mynameisali #excusemetoplease #smallboats #smallboat #dinghy #cruise #cruiseship #india #bollywood #desi #filum #comedy #smallboatodyssey #odyssey #homer #conspiranoika #conspiracy #satire #currentaffairs #politics #yrf #yrfmusic #yrfmovies