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Jump to conversation: 2:37 To mark the UNESCO World Day for Audiovisual Heritage, an annual event which aims to raise awareness of the need for film preservation and the conservation of our audiovisual heritage, TIFF presents a free screening of Julian Roffman's Canadian cult classic The Bloody Brood. Special guests Peter Roffman and Jason Pichonsky will be in attendance to discuss the film's recent 2K digital restoration, which utilized elements from Library and Archives Canada, an interneg from the BFI, and missing footage located in the UCLA Film & Television Archive. The Bloody Brood Julian Roffman CANADA, USA | 1959 | English 72 minutes DIGITAL RESTORATION! Directed by Julian Roffman (best known for the 3D horror film The Mask), this Toronto-shot exploitation opus focuses on a group of strange beatnik-hipster types, led by the manipulative psychotic Nico (Peter Falk). Bored with his gang's usual kicks, Nico decides to up the ante, and feeds a young delivery boy a hamburger garnished with broken glass. But the delivery boy's older brother soon arrives from the provinces to find his sibling's killers. Playing off the contemporary cultural currency of beats, hipsters, and the juvenile-delinquent movie craze, The Bloody Brood separates itself from the rest of its B-movie pack by its hysteria, seamy sexual undertones, roiling in aberrant psychology, and potent camp charm. It's also notable as Falk's first prominent screen role, and the future Columbo makes the most of it, gleefully chewing every piece of scenery in sight. Guest Peter Roffman Peter Roffman is a former teacher and author of Dear Guelda, a biography based on the letters of his father, Canadian film pioneer Julian Roffman, to his mother, Guelda. He co-authored The Hollywood Social Problem Film with Jim Purdy, and has written for numerous publications, including Cineaste, Today magazine, The Festival, Hockey News, Graffiti, and Take One. jason-pichonsky Guest Jason Pichonsky Jason Pichonsky has directed for television, edited animation, written about genre film for periodicals, and provided a number of commentary tracks and special features for home-video releases. Recently, he has found himself campaigning for and restoring an overlooked Canadian feature: The Bloody Brood (59).