"Proton Woman's Theme" скачать в хорошем качестве

"Proton Woman's Theme"

MP3 Link: http://www.sendspace.com/file/c04z72 (Thanks to Lebon19. You're crazy man, you're crazy!) Took all of about 45 minutes to throw down this one. The hardest part was trying to figure out how to transition into the 4th for the "Base2" segment (which incidentally, Capri Man's Theme has pretty much the same hook for its 2nd segment, go figure). So I threw in the "Insert" segment, slapped a bunch of arpeggios in which are the simplest note progression there is, my guess is that the speed of that part will probably blow the minds of those who don't know any better. Haha, so even with that segment in there, I still didn't have a good way to transition to 4th since it had the same chord sequence as the first segment, so I just figured okay, throw in some 4th arpeggios at the end and maybe that will work. Turned out to work fine, so long as I threw a few extra notes of the arpeggio into the third segment to ease the abruptness of the transition a bit. Why I can talk this long about a 45-second song is quite beyond me. Did I think about ProtonJon while writing this? Sure, but I had to go into it from the beginning knowing I would never be able to write a song that rocks as hard as he does, so I just threw the rock out the window and used the Electronica soundfont to make it feel sort of futuristic. That's how I would imagine a Proton Man stage to be anyway. Sort of like Ring Man from MM4. I was a little wary about taking the "mid-tempo" route since I spent most of my youth obsessing over speed and I just didn't think that it sounded that great, and too many songs relied on it back then. That's why up to this point, most of my stuff has either been really slow or really fast, this is the first time I toyed with the "middle" and even now I gotta admit it still makes me nervous. This might be faster than I realize it is because as far as I'm concerned, the snare drum is the only thing that matters when calculating speed. Once a second = technically 120 beats a minute but I always called it 60. To me that was the criteria for whether a song was upbeat, so it drove me absolutely crazy to hear songs like "Only Wanna Be With You" by Hootie or "Barely Breathing" by Duncan Shiek and wonder how people could actually think that was upbeat. Different strokes I guess. Anyway, that's one hell of a description. I'm outta here.