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With twelve feature films and over six billion dollars grossed at the box office, Christopher Nolan’s almost thirty-year-long career as a writer, director, and producer could fairly be categorised among the most successful in history. His latest film, Oppenheimer, received universal critical acclaim and as many as seven Academy Awards, in a landmark sweep many believed to be long overdue for the British-American filmmaker. While I wouldn’t personally consider him to be one of my favourite writer/directors, it would be difficult to overstate the unique position Nolan has crafted for himself among his contemporaries - belonging to a prestigious group of creatives whose commercial and critical achievements are so undeniable that they’re able to secure funding for almost any idea they could have - and Christopher Nolan’s ideas are seldom small in scope. Luckily, at least for the wallets of studio executives, his films also reliably appeal to a huge mainstream audience. Unlike his friend and peer Zac Snyder, Nolan has repeatedly demonstrated that his own creative properties can be just as successful, with both audiences and critics, as his adaptations of pre-existing franchises. -------------------- CHAPTERS: 00:00 Intro 01:27 Number 12 09:29 Number 11 13:42 Number 10 17:21 Number 9 21:18 Number 8 26:45 Number 7 33:35 Number 6 40:20 Number 5 45:16 Number 4 49:38 Number 3 55:59 Number 2 1:00:01 Number 1