Beethoven: Symphony No. 7 in A Major [+ IMSLP Link to Score] скачать в хорошем качестве

Beethoven: Symphony No. 7 in A Major [+ IMSLP Link to Score]

Music Score - Link: http://ks.imslp.info/files/imglnks/us... Editor: Leipzig: Breitkopf & Härtel Public Domain worldwide ------------------------------------------------------------------ Due to limited disk space, I will no longer be putting the score onto my EDIT or MIDI videos. However, the link to it will be in the descriptions. ------------------------------------------------------------------ This is a re-do of an earlier project of the same symphony which I did in MIDI. This time, it is done based on an existing recording. The earlier MIDI project will be marked Unlisted but message me if you're interested in listening to it so I can give you the link. The recording here is edited to not infringe rights in the sake of promoting good classical music on YouTube with the scores from IMSLP. Due to the nature of the edited work being very different from the original recording, I will not reveal info to the original recording other than that it is originally played by an European orchestra. The process of this editing is the same with my MIDI works on this same playlist: edits (tempo, emphases, etc) and various remastering effects (via Logic software). It is my interpretation of the piece, all done with going through the symphony score, link above. There are metronome markings on the score but they have been subject to intense debate. For me, I tend to follow metronome markings more closely when it's a work starting in the late 1800s, 20th century. Our musical impressions and thoughts are always changing and there was a huge aesthetics shift during the 1800s that may (almost certainly) had affected the music-revolutionary Beethoven if he were alive then, and still influences film composers of today (most notably John Williams). Because this seventh symphony was premiered in 1813 and before the shift, this unfortunately leaves us only in speculation. I use the metronome markings as a way of understanding how Beethoven may have written the piece in the context of his time, but I also believe that it is the tempo markings that holds much more weight in communicating directly and personally with us as musicians and musicians of the future with our constantly evolving aesthetics. If you wish to hear something more historically accurate, my go-to conductors in this case would be George Szell, Felix Weingartner, Arturo Toscanini, and John Eliot Gardiner. * I do not and will not monetize my videos. This video is solely for the promotion of classical music online. My apologies for possible brief delays with flipping the pages. I suggest that you use this link for the score to go along with this video. Thanks and hope you enjoy.*