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At the request of Refik Haracı Symphonic Poem Op. 107 The Water Globin by Antonin Dvorak Transciption by Refik Haraci: https://musescore.com/r_harac_ The source of inspiration for The Water Goblin was a poem found in a collection published by Karel Jaromír Erben under the title Kytice. Dvorák treats Erben's poem in what amounts to a rondo form, somewhat modified from the standard layout. The cruel Water Goblin is introduced in the opening Allegro vivo. We learn of a maiden and her mother in a rich Andante sostenuto. The Allegro vivo music bursts forth again as the Water Goblin snatches the poor maiden up and transports her down to his lair underneath the lake. As the unfortunate captive suffers we are provided a painfully chromatic Andante mesto come prima; she sings a lullaby (Un poco più lento e molto tranquillo), and finally convinces the Water Goblin -- now in fact her husband -- to let her go and visit her mother one last time. Her homecoming is a sad one indeed: the daughter's own child (sired by the Water Goblin) has remained down under the lake to ensure her return, and she has but one day to spend with her mother above. Still, there is real warmth to the B major Lento assai of their reunion; hardly any time has passed, however, before the Allegro vivo announces the arrival of the Water Goblin to take back his captive bride. The mother turns him away, and, true to his cruel word, he sends them the decapitated body of the daughter's child. Here the poem ends, but not the music: a grim timpani roll ushers in an Andante sostenuto coda -- music absolutely frozen with horror. Description by Blair Johnston