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For the 2021 holiday season, I'm posting a series of festive concert waltzes for coloratura soprano through New Year's Eve. THE SONGBIRD: Ernestina Garfias was born in Mexico City in 1926 (possibly 1927 or 1928) and became a soprano stage, film, and TV star in Mexico in the 1960s. She studied voice in Mexico, but made her debut in Pisa, Italy as Gilda in 1953. She sang further engagements in Mexico and Buenos Aires, and then in 1960 moved to Barcelona and performed for seven years in Europe under the pseudonym "Tina Garfi." She made a few operetta-style melodrama films in the 1960s and appeared regularly on television, including her own live program titled "Concert" and as famous 19th century soprano Angela Peralta in "El nightingale Mexican." Garfias's repertoire included Adina, Amina, Dinorah, Gilda, Lucia, Manon, Olympia (performed in ballet shoes en pointe), Oscar, Queen of the Night, Titania, and Violetta, as well as florid roles in zarzuela works such as "Marina." This recording is from the soundtrack to her film "Los Valses Venian de Viena." From that same record, everyone must listen to her spectacular vocal arrangement of the overture to "Die Fledermaus" posted on my channel way back in 2012: • Ernestina Garfias sings DIE FLEDERMAUS Ove... THE MUSIC: One of Johann Strauss II’s best known waltzes is "Geschichten aus dem Wienerwald" (Tales from the Vienna Woods), composed in 1868. It was originally an orchestral work featuring a prominent zither solo, but has been arranged many times for various ensembles and, of course, as a coloratura soprano showpiece (there is one section that references songbirds, so that makes sense!). Strauss II was the son of Johann Strauss, and brother to Josef Strauss and Eduard Strauss. All were Viennese composers in the 19th century who specialized in sophisticated waltzes and light music, but Johann II's music was (and remains) the most popular. He was known as "The Waltz King" in his time and most of the Viennese waltzes we hum now were composed by him -- not to mention his enormously successful and genre-defining operettas such as "Die Fledermaus."