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Bill Butler - June in January

Title: Butler, Bill - The Piano Stylings of Bill Butler Format: LP Label: Canadian Talent Library CTL 5027, Canadian Talent Library CTL 1027 Year: 1964 Origin: Toronto, Ontario, 🇨🇦 Genre: jazz, piano Inquiries Email: [email protected] Citizenfreak Playlists: Ontario, Jazz, Canadian Talent Library, The Toronto Jazz Scene, 1960's Written by Robin, Rainger From the film Here is My Heart, with Bing Crosby, TV’s To Tell the Truth Kitty Carlisle, and Roland Young (1934) Bill Butler: piano Hank Monas: guitar Percy Curtis: string bass Chris Tipoff: drums Canadian Pianist, Arranger, and Bandleader Bill Butler (1927 – ?) is recognized as one of Canada’s foremost pianists, equally at home in solo performance, trio settings, orchestral arrangements, and recording studios. Over a career spanning decades, he brought a distinctive blend of technical finesse, warmth, and accessibility to audiences across Canada and beyond. Early Life and Musical Foundations Born in Toronto, Ontario, on November 23, 1927, Butler showed precocious musical talent. He organized his first trio at the age of 13 to play at a summer resort and, while in high school, performed at Toronto’s Masonic Temple. He studied arranging and harmony at the Toronto Conservatory of Music, developing skills that would serve him throughout his career. In his early years, he played with Canadian bandleaders Ellis McLintock, Bobby Gimby, and Bert Niosi. By the early 1950s, Butler had formed his own band and from 1952 to 1957 held a residency at Club One Two in Toronto. In 1957 he became the opening pianist and leader for the Pump Room at the Lord Simcoe Hotel — a prestigious engagement he held for years — and appeared regularly on CBC television and Toronto radio station CKFH. He became a familiar face to American audiences as well through frequent appearances on the Arthur Godfrey and Dave Garroway television programs. Recording Debut – Lover’s Hour (1956) Butler’s first known LP, Lover’s Hour (Decca, 1956), presented him in a set of piano solos with rhythm accompaniment. The album emphasized intimacy and romantic nuance, described in its liner notes as music “bequeathed to the young and the young at heart,” and highlighted Butler’s ability to “make the piano speak alluringly and lingeringly in the dialects understood by the heart.” Pump Room Residency – At the Pump Room (1960) In 1960 Columbia Records issued Bill Butler at the Pump Room, capturing his work at the Lord Simcoe Hotel. The repertoire reflected his love of show tunes, mood pieces, and ballads, and the recording helped cement his status as a Canadian lounge and easy-listening favorite. Canadian Talent Library Recordings – Early to Mid 1960s Butler became an important contributor to the Canadian Talent Library (CTL), a non-profit initiative dedicated to promoting Canadian artists through radio airplay. His CTL albums include: Piano Stylings of Bill Butler (CTL 5006, c. 1962) – Smooth interpretations of popular standards. Piano Stylings of Bill Butler Vol. 2 (CTL 5011 / CTL 1011, c. 1962) – A companion set expanding his repertoire with new arrangements. The Piano Stylings of Bill Butler (CTL 5027 / CTL 1027, 1964) – Seasonal themes and classic melodies, arranged for piano, bass, and drums. These albums extended Butler’s reach nationwide, airing on Canadian radio stations coast-to-coast. Our Love Affair (1963) In 1963, Butler recorded Our Love Affair, his first album with a large orchestra. He handled both arranging and conducting duties, presenting romantic standards alongside classical adaptations such as Chopin’s Nocturne and “Autumn Concerto.” Portrait of a Piano: The Exciting Sound of Bill Butler (1964) This 1964 LP paired Butler’s piano with French horns, woodwinds, and strings in fresh treatments of classical and popular works. Pieces ranged from Chopin and Tchaikovsky to “Canadian Sunset” and “I’m Always Chasing Rainbows,” showcasing his versatility and refined touch. The Bill Butler Trio While Butler was already a noted soloist, he also maintained an active career with his trio, most often featuring Wally Ewanski on bass and Mickey Shannon on drums. Full story: https://citizenfreak.com/titles/26953... Later Work and Legacy By the 1970s, Butler was a fixture in Toronto’s high-end music scene, appearing regularly in clubs, concert venues, and on television. His albums — whether solo, orchestral, or trio-based — remain a document of a Canadian artist who bridged jazz, pop, and light classical traditions. From his teenage trio beginnings to his long residencies and national broadcasts, Butler left an enduring mark on Canadian easy listening and lounge music. -Robert Williston

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