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늦은 파장 트리오’s 라디오는 계속 켜져 있었다 stands as a restrained study in ensemble balance and late hour attentiveness. The group works within a compact jazz vocabulary shaped by postwar recording practices, where tone, pacing, and mutual awareness outweigh gesture or display. Each performance favors containment over release, allowing small shifts in harmony and rhythm to carry structural weight. The music unfolds with the patience of a studio document, attentive to room sound, microphone distance, and the quiet discipline of collective listening. Rather than foregrounding individual expression, the trio treats the ensemble as a single responsive body, maintaining a steady internal logic across the record. Heard as a unified statement, the album reflects an inquiry into how formal systems interact with jazz language, not as limitation but as framing. The result is a recording that feels considered, inward, and deliberate, situated within a historical sensibility that values cohesion, repetition, and the subtle tension of sustained attention. Tracklist 늦은 신호 — Late Signal 식은 찻잔 — Cold Teacup 작은 테이블 — Small Table 밤의 주파수 — Night Frequency 멈춘 손 — Still Hands 흐린 전파 — Faded Transmission 빈 방의 소리 — Sound of an Empty Room 느린 응답 — Slow Reply 낮은 조도 — Low Light 반복되는 시간 — Repeating Time 켜진 표시등 — Indicator Lamp 남은 온기 — Remaining Warmth 창가의 그림자 — Window Shade 가만한 대기 — Held Air 낮은 음역 — Lower Register 식탁 위의 밤 — Night at the Table 일정한 파형 — Even Waveform 정지된 순간 — Suspended Moment 벽시계 — Wall Clock 흐르는 잡음 — Passing Noise 닫힌 문 — Closed Door 남은 잔향 — Residual Tone 늦은 청취 — Late Listening 불 꺼진 거리 — Darkened Street 마지막 전파 — Final Transmission Personnel Lee Min Jae, piano Park Sung Ho, double bass Choi Joon Seok, drums Additional Personnel Kim Hyeon Woo, tenor saxophone #rednotejazz #jazz #newmusic #trio #modal