J.S.Bach, Cantata 51 with Heinz Karl Schwebel, trumpet and Marilia Vargas, voz w/scores скачать в хорошем качестве

J.S.Bach, Cantata 51 with Heinz Karl Schwebel, trumpet and Marilia Vargas, voz w/scores

Heinz Karl Schwebel, piccolo trumpet Marilia Vargas, Voz Orquestra do Festival de Londrina 2008 Johann Sebastian Bach composed the church cantata Jauchzet Gott in allen Landen ("Exult in God in every land"[1] or "Shout for joy to God in all lands"[2]) BWV 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use (ogni tempo), in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after Trinity: the first known performance was on 17 September 1730 in Leipzig. The work may have been composed earlier, possibly for an occasion at the court of Christian, Duke of Saxe-Weissenfels, for whom Bach had composed the Hunting Cantata and the Shepherd Cantata. The text was written by an unknown poet who took inspiration from various biblical books, especially from psalms, and included as a closing chorale a stanza from the hymn "Nun lob, mein Seel, den Herren". Bach structured the work in five movements, with the solo voice accompanied by a Baroque instrumental ensemble of a virtuoso trumpet, strings and continuo. While the outer movements with the trumpet express extrovert jubilation of God's goodness and his wonders, the central introspective aria, accompanied only by the continuo, conveys a "profound expression of commitment to God".[3] He set the closing chorale as a chorale fantasia, the soprano sings the unadorned melody to a trio of two violins and continuo, leading to an unusual festive fugal Alleluja, in which the trumpet joins. The Bach scholar Klaus Hofmann notes that the work, unusually popular among Bach's church cantatas, is unique in the demanded virtuosity of the soprano and trumpet soloist, and evidences "overflowing jubilation and radiant beauty".[4] From Wikipedia, the free encyclopedia Heinz Karl Schwebel, current Dean of the School of Music at the Federal University of Bahia, has been a member of its faculty since 2001. Principal trumpet of the Bahia Symphony Orchestra, Mr. Schwebel was a student of his father, Prof. Horst Karl Schwebel, with whom he studied during his undergraduate studies at UFBA. Further studies led him to Germany to study with Professors Adolf Weresch and Reihold Friedrich in the Karlsruhe Music School. Mr. Schwebel holds a Master’s degree in Trumpet Performance from the New England Conservatory of Music in Boston, where he was a student of Prof. Charles Schlueter, Principal Trumpet of the Boston Symphony and where he was a winner of the Concerto Competition and Honors Brass Competition. In 1996 he graduated from NEC with Academic Honors and Distinction in Performance. Mr. Schwebel holds a Doctor’s degree in Trumpet Performance from The Catholic University of America in Washington D.C. While at CUA, he was also under the guidance of Mr. Schlueter and graduated with Academic Honors. In 1997 e 1998 Mr. Schwebel was a member of the JERUSALÉM International Symphony Orchestra where he played as principal trumpet under the baton of Zubin Metha, Aldo Cecatto and Marek Janowsky among others. Shop your Trumpeter´s Stuff here: http://qpress.ca/shop/?ref=3 Join this channel to get access to perks:    / @trumpetersstuff   #bach #cantata #trumpet #trumpetersstuff