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'Vier doppelchörige Gesänge, Op. 141: 4. Talismane' From the album 'Cambridge Singers A Cappella' Composer Robert Schumann Conductor John Rutter Choir The Cambridge Singers Buy, download or stream: https://lnk.to/CSacappella Find more of the catalogue and curated playlists by subscribing to the channel: http://bit.ly/2uQMe9P Social Media Links: Facebook: / johnruttermusic Instagram: / johnrutter.composer Bluesky: https://bsky.app/profile/johnrutter.b... Website: https://www.johnrutter.com LYRICS: Gottes ist der Orient! Gottes ist der Okzident! Nord- und südliches Gelände Ruht im Frieden seiner Hände. Er, der einzige Gerechte, will für jedermann das Rechte, Sei von seinen hundert Namen Dieser höchgelobet! Amen. Mich verwirren will das Irren; doch du weißt mich zu entwirren. Wenn ich handle, wenn ich dichte, gib du meinem Weg die Richte! (The East is God’s! The West is God’s! The lands of the north and south rest in his tranquil keeping. His will, the All-righteous One, is justice for all men. Let this one of his hundred names be highly exalted! Amen. I err and stray; yet you can lead me home. When I act, when I write, you guide my footsteps!) (J. W. von Goethe, 1749–1832) Vier doppelchörige Gesänge, Op. 141 Choral music formed a not insignificant part of Schumann’s output, and he valued choral singing highly enough to have conducted a male-voice choir and instituted a mixed-voice one during the 1840s while he lived in Dresden. It was probably with the Dresden choir in mind that he composed the Vier doppelchörige Gesänge in 1849. These, his only works for double choir, were published soon after his death, grouped together as Op. 141, though apparently the fourth of the set, Talismane, was conceived as a separate piece. In style, they have much in common with his solo songs, filled with a sense of ardour and Romantic imagination that marks them out as unmistakably Schumannesque. Cambridge Singers A Cappella This album explores the great wealth of music written for unaccompanied choir in England, France and Germany during the Romantic era and into the twentieth century. The pure, distilled beauty of the a cappella medium inspired the composers heard on this album to some of their most poetic and delightful compositions. John Rutter, English composer and conductor, is associated with choral music throughout the world. His recordings with the Cambridge Singers (the professional chamber choir he set up in 1981) have reached a wide global audience, many of them featuring his own music in definitive versions. Among John’s best-known choral works are Gloria, Requiem, Magnificat, Mass of the Children, and Visions, together with many church anthems, choral songs and Christmas carols. info@collegium.co.uk