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LED vs HMI lighting , can the Nanlux 5000B really compete with the ARRI M90? In this cinematography tip, Shane Hurlbut, ASC tests both lights head-to-head to reveal if modern LEDs can finally replace classic HMIs. Watch free premium lessons here: https://bit.ly/48bbwQF Nanlux Evoke 5000B: https://bhpho.to/4g6vwIv Learn more about Nanlux: https://bit.ly/47SwaqM https://www.nanluxamericas.com/ / nanlux_global For decades, the ARRI M90 has been the gold standard on film sets. Powerful enough to punch through windows, bounce into massive rags, and light large spaces. But it comes with drawbacks: multiple shadow artifacts, gels that burn instantly, heavy power requirements, and limited flexibility. Enter the Nanlux 5000B LED. In this 16-minute cinematography tip, Shane tests the 5000B against the M90 across every category that matters to cinematographers: • Output & beam spread – Can the 5000B match the M90’s punch? • Shadow quality – Does it deliver a clean, single shadow where the M90 fails? • Color consistency – How stable is it when dimmed to 1%? • Gel handling – Can you use color without burning through materials? • Versatility – From Fresnel to parabolic beam to bare bulb, how many roles can one LED fill? • Workflow efficiency – What problems disappear when the ballast, cables, and heat are removed? The results reveal how the Nanlux 5000B provides a sustainable, reliable, and flexible alternative to HMIs, offering filmmakers clean shadows, consistent color, and creative freedom without the headaches. If you're a filmmaker seeking to level up your craft, the official Filmmakers Academy podcast is an absolute gamechanger. Listen here: https://bit.ly/3V8up0a Check out our blog filled with career advice, free assets, gear talk, and on set stories: https://bit.ly/3CzwFn2 Be apart of our community! Instagram ►► https://bit.ly/3kR5JIO Facebook ►► https://bit.ly/3Ig07BT TikTok ►► https://bit.ly/3QZjWkZ #light #lighting #nanlux #filmeducation #filmmaking #filmmakers #onset #behindthescenes #arri #arrim90 #lightingtechniques #cinematography #cinematographer #cinematiclighting 0:00 Intro 0:14 ARRI M90 Test 1:25 Output Readings 2:35 Shadow Problems 3:20 Gel Issues 4:10 Nanlux Setup 5:25 Power Comparison 6:40 Color Check 8:15 Shadow Control 9:20 Reflector Swap 10:40 Fresnel Test 11:50 Bare Bulb 13:20 Gel Durability 14:30 Versatility Recap 15:40 Final Takeaway