Scriabin Piano Concerto (Ashkenazy) скачать в хорошем качестве

Scriabin Piano Concerto (Ashkenazy)

Piano - Vladimir Ashkenazy Conductor - Lorin Maazel London Philharmonic Orchestra 00:00 mov. 1 7:40 mov. 2 16:10 mov. 3 Alexander Scriabin's Piano Concerto in F-sharp minor, Op. 20, composed in 1896 and premiered in 1897, is his only concerto and one of his earliest major orchestral works. Written when Scriabin was just 24 years old, the concerto displays the influence of Romantic composers such as Chopin and Liszt, both of whom deeply impacted Scriabin's early musical language. At the same time, it already hints at his emerging individual voice, particularly in its harmonic richness and lyrical intensity. The concerto consists of three movements: Allegro, Andante, and Allegro moderato, following the traditional concerto form. The first movement, Allegro, opens with a melancholic orchestral theme that sets the mood before the soloist enters with a reflective response. The dialogue between piano and orchestra develops into a passionate and virtuosic display, filled with lyrical melodies and delicate textures. Unlike the more dramatic openings of some Romantic concertos, Scriabin’s first movement remains introspective and poetic, emphasizing nuance and expressive detail over grandiosity. The second movement, Andante, is a theme and variations, serving as the emotional heart of the concerto. This movement showcases Scriabin’s gift for melodic invention and his early use of coloristic harmony. The theme, introduced by the orchestra, is noble and tender, and the variations explore a range of moods—from tranquil introspection to passionate intensity. The piano writing here is especially lyrical, often resembling an elaborate, rhapsodic song without words. In this movement, Scriabin’s sense of spiritual yearning and sensitivity is most apparent, prefiguring the mysticism that would dominate his later works. The final movement, Allegro moderato, returns to the spirited energy of the first, though it maintains the overall lyrical and refined character of the concerto. The piano and orchestra engage in a graceful dance, with elegant exchanges and sparkling virtuosity. The conclusion is not one of thunderous triumph but of serene resolution, consistent with the concerto's generally poetic tone. Although the work is structurally conservative and Romantic in spirit, it reveals many features that would define Scriabin’s later style: lush harmonies, a fascination with mood and atmosphere, and an emphasis on spiritual and emotional depth. The concerto is scored for a classical-sized orchestra and requires a pianist of refined technique and musical sensitivity rather than sheer power. Notably, Scriabin was himself a virtuoso pianist, and the solo part reflects his intimate understanding of the instrument, filled with shimmering textures, rapid figuration, and delicate ornamentation. Despite its qualities, the concerto was for a long time overshadowed by the more modern and radical works of his later years, such as the Poem of Ecstasy and the late piano sonatas. However, in recent decades it has enjoyed renewed appreciation for its charm, craftsmanship, and poetic beauty. It serves as an important bridge between the 19th-century Romantic concerto tradition and the innovative, mystical world that Scriabin would later explore. In sum, Scriabin’s Piano Concerto in F-sharp minor stands as a youthful yet mature work, rich in lyricism and emotional depth, blending Romantic influences with the seeds of a unique, visionary style that would soon transform the course of Russian music. #scriabin #piano #concerto