The INSANE POWER of RAW Photos - Photoshop Post Processing скачать в хорошем качестве

The INSANE POWER of RAW Photos - Photoshop Post Processing

This is how you can recover underexposed raw files with #Adobe #Photoshop You can find the raw photo to follow along this Photoshop tutorial here: https://drive.google.com/file/d/1l-yZ... Raw photos of modern cameras come with a huge dynamic range. This makes it easy for us to recover all the needed detail from a single photo using Photoshop or Lightroom, even under harsh conditions like this sunset image. ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Thank you for watching my video! ► Prints: http://www.the-phlog.com ► Patreon:   / phlog   ► Instagram:   / thephlog   ► Facebook:   / phlog   ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 0:00 Intro For this photo the most important part was to restore the shadows without getting (too much) overexposure in the sky. Additionally, I wanted to add vibrant, warm sunset colors, some glow in the brightest spots and cleaning up the horizon. Most of the work was done in Photoshops camera raw editor, while I used Photoshop for the cleaning part and some dodging. 0:29 1. Basic Raw Adjustments I started by changing the camera profile to adobe Landscape for more saturation and a little more brightness. Then, I raised the temperature for a warmer look. To fix the brightness, I raised the exposure and dropped the highlights to prevent overexposure. Plus, I added shadows and blacks to make the darkest parts brighter. 1:55 2. Local Adjustments Here, the goal was to add contrast back to the photo. I used linear gradients on the top part of the sky to make it darker (dropping the exposure and shadows) and adding contrast for better looking clouds. For the foreground, I used another set of linear gradients to add texture and clarity for sharpness, highlights and whites for brighter highlights and some contrast. For the glow I used two radial gradients with increased blacks, decreased dehaze and some added saturation. 6:39 3. Color Grading Here, I mainly done some split toning. For the highlights and the shadows, I added a warm color tone with strong saturation. For the shadows, I used a blue tone with lower saturation. 8:12 4. Photoshop Using a combination of the spot healing brush and the clone stamp tool I straightened the horizon and cleaned up the whole shot. For extra glow I painted with a soft, low opacity brush on a hard light layer. To further brighten up the highlights in the foreground, I created a mask targeting the highlights (using the TK panel plug in) and painted over them on an overlay layer with a white brush.