Jazz Guitar Comping like Peter Bernstein - Autumn Leaves [PDF Included] скачать в хорошем качестве

Jazz Guitar Comping like Peter Bernstein - Autumn Leaves [PDF Included]

🚀 Want to skyrocket your progress and start playing like a jazz master without needing to practice 8 hours a day?! 🎁 Grab one of my FREE practice resources that covers the same PILLAR skills I teach my online students! 👂🏻 Practical Perfect Pitch Course: Hear every note before you play it [PILLAR #1] 👉 https://www.nycjazzguitarmasterclasse... 🎷 INSTA-Bop Guide: How Bird & Monk used triads — and how you can too [PILLAR #2] 👉 https://www.nycjazzguitarmasterclasse... PILLAR #3 - THE MELODIC PROGRESSIONCOMING SOON PILLAR #4 - HARMONIC STORYTELLINGCOMING SOON 🎹 Bill Evans Fretboard Secrets Course: Jazz guitar mastery… by thinking like a pianist. An introduction to our IMAGINARY PIANO PLAYER FRAMEWORK [PILLAR #5] 👉🏻 https://www.nycjazzguitarmasterclasse... 📺 Want to see how these work in action? [PILLAR 1] Practical Perfect Pitch Walkthrough & Ear Training Demo: 👉    • Metheny couldve saved DECADES w/ a 27min e...   [PILLAR 2] INSTA-Bop Triad Breakdown (Bird & Monk): 👉    • Youll hate it, but Charlie Parkers secret ...   [PILLAR 3] The Melodic Progression (Improvising from the melody) 👉 COMING SOON [PILLAR 4] Harmonic Storytelling 👉 COMING SOON [PILLAR 5] The Imaginary Piano Player: A look at how Bill Evans used triads 👉    • John Scofield, Peter Bernstein & Dying || ...   Grab the guides. Watch the walkthroughs. Change the way you hear and play forever. Or if you’re tired of feeling like you’re spinning your wheels on your own and want to join our triad family, get access to our entire course library, our community of supportive and encouraging, passionate musicians, PLUS get me in your corner and my live zoom calls each month to help you get a decade’s worth of progress in the next few months without needing to practice 8 hours a day….Click here to learn more about THE MELODIC TRIADS MENTORSHIP PROGRAM 👉🏻 https://www.nycjazzguitarmasterclasse... 3 THINGS I LEARNED ABOUT JAZZ GUITAR COMPING FROM PETER BERNSTEIN Peter Bernstein is one of my all-time favorite jazz guitarists. So of course he was the first teacher I reached out to study with when I moved to NYC - along with John Scofield. It was an epic and intense first year. Studying with Pete basically meant hanging out, playing a lot of duo together, and just talking about different elements of the music and the tradition. He's an encyclopedia. He knows so many tunes, he can play them in any key, he's got so many stories, and he can dig into any philosophical or historical perspective of the music. He's a sponge and has been soaking everything up from the greats that he's surrounded himself with for decades. One of the things he and I talked about the most was comping. How important it is and how to work on it. Granted, I was always asking him about comping, so maybe that's why we talked about it so much. I'm just so blown away by the way he accompanies others. He's so versatile. He comps differently for himself when playing solo guitar than he does for me when we play duo. And that's different from how he comps in his trios or if there's a piano player. He never stops sounding like himself when he comps, but he changes drastically depending on the situation to best support the tune, the musicians, the soloist, and the instrumentation.  HERE ARE THE THREE MOST IMPORTANT THINGS I LEARNED ABOUT COMPING FROM PETER BERNSTEIN 1. We have to make the choice to prioritize comping when we're in the shed if we want to get better at it when we're playing music with others. He pointed out that most of us will spend countless hours shedding our scales, our chord, tones, and our arpeggios. Then we'll start working on a new jazz standard that we want to learn and will spend hours more shedding our improvisation over it, figuring out which scales and arpeggios work and when to shift between them. But when we go to support the other musician(s) we're playing with by accompanying them during their solo with our comping, we don't have as deep a bag of tricks to pull from. We often just play the generic real book changes... and not always in the most exciting way. ► To Read The Rest Of The Blog Post https://www.nycjazzguitarmasterclasse... ► Download a PDF of the transcription of Pete's comping at the blog post linked above