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Rupe barne gandhe রূপে বর্ণে গন্ধে । Nishikanta Roy Choudhury । Luva Nahid Choudhury

#bengaljukebox --------------------------------- To mark the 150th birth anniversary of renowned poet-lyricist-musician-playwright Dwijendralal Roy (D L Roy), Bengal Foundation arranged a two-day music festival in collaboration with the Sri Aurobindo Institute of Culture (Kolkata), on September 6-7, 2013, at the Bangladesh National Museum, Dhaka. We are pleased to bring to you the song Rupe Barne Gandhe, composed by Nishikanta Roy Choudhury and set to music by Dilip Kumar Roy, which was presented at the festival by Luva Nahid Choudhury. The artist was accompanied on stage by Ifthekhar Alam Prodhan on the Tabla, Almas Ali on the Violin, Kamol Khalid on the Harmonium, Najmul Alam on the Mandira and Daulatur Rahman on the Keyboard. The song Rupe gandhe barne was originally recorded by Uma Bose (1921-1942), a child prodigy and disciple of Dilip Kumar Roy. Luva Nahid Choudhury’s rendition captures the delicate portrayal of bliss and bounteous nature inherent in the poetry and rhythm of the composition. Born to Dwijendralal Roy, the poet, composer and playwright, and his wife Surabala Devi on 22 January 1897, Dilip Kumar Roy developed an interest in mathematics, chemistry and Sanskrit at a very young age. He left for Cambridge in 1919 for a tripos in mathematics. It was during his stay there that he came across the likes of British philosopher Bertrand Russell and French writer Romain Rolland and understood the tradition of European music. Alongside mathematics, he also cleared a course in Western music at Cambridge. His learnings in Western music later made him formulate a new academic structure to teach Indian music. At a time when India’s freedom movement was gaining momentum, he travelled around the country and learned classical music under the guidance of Ustad Abdul Karim Khan, Ustad Faiyaz Khan and Pandit Bhatkhande, among others. His soulful rendition of Bengali poet Bankim Chandra Chatterjee’s Vande Mataram with Bharat Ratna M.S. Subbulakshmi in the 1930s captivated the masses and freedom fighters alike. Roy’s fame as a singer was fuelled by his renditions of compositions by Dwijendralal Roy, Atulprasad Sen, Kazi Nazrul Islam, Himangshu Dutta and Nishikanta, among others. Dilip Kumar Roy played a major role in bringing the ghazals of Nazrul Islam, who later went on to be Bangladesh’s ‘National Poet’, to the spotlight. Some of Roy’s famous compositions include Bharat Amar Bharat Amar, Amra Moloyo Batashe and Banga Amar Janani Amar. He penned over 80 books, including novels, essays, poems and satires. At the age of 31, Roy turned to spirituality renouncing his family and entering Aurobindo Ashram in Pondichery (now Puducherry) in 1928. Roy shared a close friendship with Sri Aurobindo who was known to cherish him like a ‘like a friend and a son’. He breathed his last in the Pune temple on 6 January 1980. ================================== Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival, the world’s largest classical music festival in terms of number of performers on a single stage, audience capacity and duration. Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh. ================================== 🔔 Please do Subscribe & enable notifications for more contents from us! 👍 Website: http://www.bengalfoundation.org​​ 👍 Facebook:   / bengalfoundat.  . 👍 Twitter:   / trustforthearts​​   👍 Instagram:   / bengalfound​​.  . ------------------------------------------------------------------------ © Bengal Foundation 2022

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