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With Andrea Reuter prior to receiving the Stockholm Visionary Award (again). 0:46 Original idea of POALOF 2:55 Secretive writing 3:33 Why 18th century 5:03 Prof. Sciamma's lecture on gaze 8:30 Cave persons 8:55 Start in directing 11:16 Why synchronized swimming 11:38 "Cotton Eye Joe" 14:41 Challenges working with children in Water Lilies 15:36 Explorations in Tomboy 16:57 Desires within the production process 18:17 Mythologies and identities in Girlhood 20:38 Writer-director vs screenwriter 21:15 Adèle says "zucchini" 23:13 Letting scripts go 23:43 Maybe won't write for others anymore 24:33 Absence of certain people in films 27:04 Loneliness in cinema/literature (except maybe Virginia Woolf) 27:50 Rihanna's Diamonds link to POALOF/bonfire song 28:12 "Cotton Eye Joe" 30:15 Musicals were first films (fred astaire's) 31:03 Vivaldi's democratic hit (unlike Schubert's/Brandenburg) 32:27 Un/happy endings 35:01 Dynamic of shot/reverse-shot evolves to be between Adèle Haenel/viewer 35:56 Mary Oliver: "I tell you this to break your heart, by which I mean only, that it break open and never close again to the rest of the world." Stockholm, Sweden Nov 9th, 2019