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Franz Joseph Haydn: Symphony No. 82 in C major "L’Ours (The Bear)", Hob. I/82 (with Score) Composed: 1786 Conductor: Sir Neville Marriner Orchestra: Academy of St Martin in the Fields 00:00 1. Vivace (C major) 08:00 2. Allegretto (F major) 14:10 3. Minuet – Trio (C major) 18:47 4. Finale: Vivace assai (C major) The first of the Paris Symphonies, No. 82, did not originate before 1786 – contrary to its “official” numbering as the first of the cycle – and is actually No. 6 based on the date of the handwriting. Due to its key of C major and the large orchestra it is outwardly splendid, but balanced “from within” by enormous energy and extremely tight organisation. While it is “only” a triadic theme with which the movement begins – through artificially arranged contrasts both small and great (the dance-like secondary theme), Joseph Haydn manages to create a magnificent symphonic movement out of this material. The second movement represents the double variation, an extremely popular model in Europe at the time. It consists of two segments in F major and F minor, variations of which are alternately developed. The form of this movement could be iterated in alphabetic symbols as follows: A. It was from its finale that the symphony received its sobriquet, L’Ours (The Bear), in France. Indeed the principle theme of the final movement, which represents a type of “street-corner amusement” or bagpipe melodies with their low sustained droning, calls a plethora of colourful associations to mind (the dancing bear in a circus performance, for example). The actual wit of the movement, however, is the mastery with which Haydn blends this inflexible dance theme with elaborate contrapuntal segments out of which extended parts of the piece are made up – as if it were nothing out of the ordinary. (https://www.haydn107.com/en/Sinfonien/82)