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REDlightgoesART because ONLY THOSE WHO EARN A MEMORIAL THAT NEED ANYTHING. GUSTAV KLIMT is someone like that! He was the portraitist of the rich and beautiful and invented the Viennese Art Nouveau also under #WienerModerne world-famous! The period from 1890 to 1918 was a highlight of Austrian cultural history. Numerous innovations in art, literature, architecture, music, psychology, philosophy and society characterized "Wiener Moderne" #GustavKlimt is considered the painter genius of the turn of the century par excellence. Above all the male artists of this time are known. But there were also artists like the painters Tina Blau, Broncia Koller-Pinell and Olga Wisinger-Florian, the sculptor Teresa Feodorowna Ries and the graphic designer Lili Réthi. She introduces the movie. The film also outlines a complex and ambivalent picture of society at the time. Only men are stored in the collective memory as pioneers of "Viennese Modernism": Gustav Klimt, Otto Wagner, Oskar Kokoschka and Egon Schiele. But just in this epoch, the women emancipated themselves visibly and were involved in the departure. Despite very poor conditions for women in the art world, they were able to assert themselves, but most of them have been forgotten. A film by Barbara Weissenbeck In 2018, Vienna celebrates the modern age, the Viennese Modern Age! 100 years ago, four of their most important protagonists died: Gustav Klimt, Egon Schiele, Otto Wagner and Koloman Moser. From the Biedermeier to the Art Nouveau to the Modern Gustav Klimt was far ahead of his time. "Still too daring" are the 100 years old works of the master for New Yorker subway and bus stations still today, in which 2018 not even painted female nipples may be shown! Klimt was not only the first to treat female masturbation as a separate genre, he painted with "girlfriends" one of the earliest icons of lesbian love. Many drawings depict lesbian couples, although homosexuality was a taboo. For this he was called a pornographer, praised by others as a pioneer, because lesbianism affirms the idea of female independence. A credo of Gustav Klimt was the detachment of rigid traditions and it is thanks to him that the past turn of the century for Vienna and Austria not only became an artistically significant, but Austria was #Freier altogether. Gustav Klimt was co-founder of the artists' association "Wiener Secession" and has always been one of the most important spaces for fine arts, just as FUNPALAST is today when it comes to artificial love. A place where both sides can act with equal rights and informality. You will see that the FUNPALAST in Vienna and Gustav Klimt have one thing in common: they set new standards and are way ahead of their time. More women's minds than cliché represented womanizer New studies show Austria's popular art star in Asia in a somewhat different light. Thus, Klimt's often strained relationship with women was characterized by great mutual appreciation, says art historian Mona Horncastle, who has written a current Klimt biography together with Alfred Weidinger. "Klimt was a womanizer and lover, but not a womanizer." It was mainly so-called Grabennymphen (prostitutes) 150 years ago made free for Gustav Klimt in his studio against payment and it is long time that our better half, the women namely, are not constantly knocked down with the double moral club, but that they step out of the shadows into the light. And the moral of the story: Even Gustav Klimt was the double morality of society thoroughly against the grain and that's exactly what you do not have to live today! Do not be as free as art was 100 years ago. Be ahead of your time, too, and come to the FUNPALAST