Raga Gauri | Vidushi Dr. Ashwini Bhide Deshpande | Aave Rajan Aaiya & Devi Durge Bhavani скачать в хорошем качестве

Raga Gauri | Vidushi Dr. Ashwini Bhide Deshpande | Aave Rajan Aaiya & Devi Durge Bhavani

Divine Rendition of Raag Gauri by Dr. Ashwini Bhide Deshpande. 00:00 - Vilambit Khayal : Aave Rajan Aaiya 44:06 - Drut Khayal : Devi Durge Bhavani ______________________________________________________ Raga: Raga Gauri Taal: Teentaal(Vilambit) Ektaal(Drut) Composition: Aave Rajan Aaiya Devi Durge Bhavani Tanpura and Vocal Support : Sveta Hattangdi Kilpady Style: Jaipur-Atrauli Gharana Tabla: Pt. Vinod Lele Harmonium: Smt. Paromita Mukherjee ______________________________________________________ 📝 Lyrics: ********** Aave Rajana Aaiya ****************** आवे राजन आयीया, म्हारे डेरे कायी करा मेजबानी ॥ तन मन जौबन, अर्पन करीशा, मोतियन थाल भराईया ॥ ************ Devi Durge ************************ देवी दुर्गे भवानी, जगत जननी नारायणी सुखदायिणी तू || ​ जगदीश्वरी मातेश्वरी महिषासुर संहारिणी, कृपादान देवो मोहे गिरीराज किशोरी तू || ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own.