Kaka-Lala 《旮旮旯旯》 by Orang Orang Drum Theatre скачать в хорошем качестве

Kaka-Lala 《旮旮旯旯》 by Orang Orang Drum Theatre

Far away in Shan-Ka-La, I thought I had escaped the city—yet why has its symphony never ceased? 我一直以为我逃到了山旮旯咁远，可为何城市的交响曲不曾停息？ ---- Created in 2024 and won 4 awards of 20th BOH Cameronian Arts Awards Nominees Best Costume Design, Styling & Make-Up Best Music & Sound Design Best Multimedia Design Best Choreographer in a Feature Length Work Orang Orang Drum Theatre Since its establishment in 2013, Orang Orang Drum Theatre’s core members Boyz Chew, Zyee Leow, and Damien Leow have been flitting between music, dance, and theatre, looking for a platform of expression for drum theatre. They led a team to participate in international music festivals such as Sziget Festival 2019, WOMADELAIDE 2020, Venice Theatre Arts Festival, Venice Open Stage, and the Danse en Ville Dance Festival in Belgium and Germany. In recent years, they have brought their troupe to tour many cultural and dance arts festivals in Europe, such as in France, Hungary, and Serbia. Through interactions with traditional cultures, they explore the space between tradition and modernity. The word ‘orang’ means people, and the idea at the heart of OODT is to bring the arts to the people. OODT’s past works—独角戏/Hidup Ini Senget (2014), 众鼓歌/LaguKu (2015), The Dialogue (2017), 众鼓歌2.0/LaguKu2.0 (2019)—have always reflected on urban life. Throughout this ten-year journey, the act of drumming has somehow led them to consider the connection between surviving and living. So, in 2021, OODT embarked on the Shan-Ka-La project—the simple, unpretentious orchard life served to refresh the heavy palate of the city’s constant symphony, allowing the drummers to sample the “natural flavours” of life. In the meantime, they continued to reflect on what it means to “drum”, and explore further possibilities contained within “drumming and living”. --ABOUT Kaka-Lala-- What is Kaka-Lala Kaka-Lala [Cantonese] ~ceruk-meruk; every little corner of the world Place a “mountain” before it and it becomes Shan-Ka-La: somewhere that’s in the middle of nowhere. SYNOPSIS “Digging, sowing, watering, mulching—then rest and wait patiently. If rest is a natural part of growth, why do we find it so hard to take a break?” For one whole year, Orang Orang Drum Theatre took a hands-on approach by spending three days a week in the heights of Shan-Ka-La: creating work, learning the basics of construction and farming, adapting to the unfamiliar rhythms of orchard life. For the other four days, they’d be back in the familiar city, teaching and performing as usual. By shuttling between these lifestyles, these places, they began to compare and reflect on the relationship between people and the environments they inhabit. Listen: the drum echoes in Shan-Ka-La. Look: a snapshot of the city on stage. Between these, we untangle the modern riddle: What does it mean to belong? 什么是旮旮旯旯？ 旮旮旯旯的中文读音是gā gā lá lá，粤语读音为Kaka-Lala，意思是所有的角落；“山旮旯”指偏僻的山区。（出处：百度百科） 简介 “锄地、播种、浇水、覆盖堆肥，然後休息、耐心等待。如果休息是自然成长的一部分，究竟是什么让我们停不下来？“ 人人人鼓剧场以实际行动，为期一年体验一周三天在山上（山Karak)创作并体验陌生的果园生活，学习简单建筑与农耕；其他四天回到熟悉的城市继续教课、表演与生活，尝试在往返两地截然不同的生活经验中，相互对照且思考人与环境的关系。 听鼓声在山旮旯回荡， 于剧场照看城市宿影， 尝试解一道现代生活的归属习题。