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In this video, we look at the composition techniques used by Shostakovich to create music (Symphony no 5, Symphony no 7, String Quartet no 8, etc.) under the scrutiny of [BAD MANl] during the period of Socialist Realism and 'The Terror'. How could he express his sadness and outrage as a composer in the Soviet Union, without losing his life for doing so? Please support me on Patreon if you want to see my videos appearing with more regularity. / tantacrul ----- BOOKS Elizabeth Kuhn, Shostakovich in Dialogue Laurel E. Fay, Shostakovich - A Life (quote from Flora Litvinova - p.128) Solomon Volkov - Testimony Malcolm Hamrick Browse - A Shostakovich Casebook (created in response to ‘Testimony’) ARTICLES Interesting article about the authenticity of ‘Testimony’ https://www.tabletmag.com/jewish-arts... Nice short description of Shostakovich’s 9th quartet (my personal favourite) and includes a description of his fascination with Rossini’s William Tell http://www.quartets.de/compositions/s... Shostakovich, the Musical Artist, Sung in Space http://theappendix.net/issues/2014/7/... Article about the 7th Symphony http://allingray.com/dissertation/the... --- Shostakovich and Klezmer Music --- About Klezmer & Shostakovich http://jewishmusicanalysis.blogspot.c... The Double Meaning of Jewish Elements in Dimitri Shostakovich's Music By Joachim Braun https://www.jstor.org/stable/948173?s... Shostakovich's Ninth Symphony: An Analytical Exploration and Keys to Interpretation By Phillip Lenberg https://core.ac.uk/download/pdf/62891... Other New York Times Obituary https://www.nytimes.com/1975/08/11/ar... CLIPS USED Golden Age - Bolshoi Theatre http://bit.ly/GoldenAgeBolshoi PERFORMERS https://www.greenwichtrio.com https://www.nicolabenedetti.co.uk