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Shirley Bassey - If Ever I Would Leave You (1964 Recording) скачать в хорошем качестве

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Shirley Bassey - If Ever I Would Leave You (1964 Recording)
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Shirley Bassey - If Ever I Would Leave You (1964 Recording)

1964 -Shirley Bassey is well known for her POP interpretations of songs from both movies and musicals. Here, Shirley delivers a dynamic interpretation of one of the songs from the musical, Camelot called, 'If Ever I Would Leave You'; this track was recorded and released on her 1964 LP titled, 'Shirley Stops The Shows'. In the USA, the cover was titled, 'Shirley Bassey Belts The Best'. Over the years, this track has been included on my compilation LPs/CD's, and one of the earlier LP's was 'Broadway, Bassey's Way). ABOUT the musical, Camelot: Camelot is a musical by Alan Jay Lerner (book and lyrics) and Frederick Loewe (music). It is based on the King Arthur legend as adapted from the T. H. White tetralogy novel The Once and Future King. The original 1960 production, directed by Moss Hart and orchestrated by Robert Russell Bennett and Philip J. Lang, ran on Broadway for 873 performances, winning four Tony Awards and spawning several revivals, foreign productions and a 1967 film version. The original cast album was America's top-selling LP for 60 weeks.[1] The musical has become associated with the Kennedy Administration, which is sometimes referred to as the Camelot era, stressing its glamorous, media culture image. In 1959, Alan Jay Lerner and Moss Hart decided to adapt T. H. White's The Once and Future King as their next project. As discussed in Lerner's 1978 book, The Street Where I Live, Frederick Loewe, who had no interest in the project, agreed to write music, with the understanding that if things went badly, it would be his last score. After the tremendous success of My Fair Lady, expectations were high for a new Lerner and Loewe musical. However, the show's production met several obstacles. Lerner's wife left him during the writing process, causing him to seek medical attention and delaying the production. When Camelot began rehearsals, it still needed considerable work. However, the producers were able to secure a strong cast, including Julie Andrews, Richard Burton, and Roddy McDowall, as well as Robert Goulet in his first Broadway role. John Cullum also made his Broadway debut as Sir Dinadan; Bruce Yarnell was Sir Lionel. Cullum later replaced McDowall, and William Squire replaced Burton. Other replacements included Patricia Bredin, Kathryn Grayson and Janet Pavek for Andrews. Robert Goulet received favorable reviews, most notably for his rendition of the show-stopping romantic ballad "If Ever I Would Leave You", which became his signature song. ABOUT the LP, Shirley Stops The Shows (UK) / Shirley Belts The Best (USA): Shirley Stops the Shows is the 7th Shirley Bassey studio album, her 5th and final studio album recorded for the EMI/Columbia label in the UK. Released in 1965, this album is a mix of standards and showtunes. Shirley Bassey was at a high point in her career, with worldwide success of her single "Goldfinger", but the album failed to chart in the UK, a first for her Columbia albums. The album met with more success in the US, reaching number 85 in the US Pop charts. For the US market it was issued with an alternative running order, retitled Shirley Bassey Belts the Best! and "The Lady Is a Tramp" was replaced by "Goldfinger". Original release was in mono and stereo, both mono versions feature an alternative studio recording of "People" which has not yet been re-issued on CD. The stereo version, remastered, was issued on CD in 2008 together with 12 of Those Songs by BGO Records. LYRICS: If ever I would leave you It wouldn't be in summer. Seeing you in summer I never would go. Your hair streaked with sun-light, Your lips red as flame, Your face witha lustre that puts gold to shame! But if I'd ever leave you, It couldn't be in autumn. How I'd leave in autumn I never will know. I've seen how you sparkle When fall nips the air. I know you in autumn And I must be there. And could I leave you running merrily through the snow? Or on a wintry evening when you catch the fire's glow? If ever I would leave you, How could it be in spring-time? Knowing how in spring I'm bewitched by you so? Oh, no! not in spring-time! Summer, winter or fall! No, never could I leave you at all! Special Thanks to Pieter, Astrid and others from the Shirley Bassey blog, Tal from the Diamond Bassey website, and all those who have contributed wonderful pictures of Shirley!

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