DJI O4 Pro best camera settings for cinematic video w/ downloadable sample footage скачать в хорошем качестве

DJI O4 Pro best camera settings for cinematic video w/ downloadable sample footage

DJI O4 Pro sample footage and best camera settings for cinematic video (see details below). I show both the ungraded flat D-Log M footage, as well as what it looks like color graded manually, and also using DJI's D-Log M to Rec.709 LUT. The goal here is to extract the best quality footage from the O4 Pro by getting a flat, unprocessed image from the camera to give the most flexibility in post. The full-length original (un-stabilized) DJI O4 Pro video files as well as DVR footage can be downloaded here: https://drive.google.com/drive/folder... You may also be interested in my previous video comparing O4 Pro to GoPro 11:    • DJI O4 Pro vs GoPro 11 camera comparison w...   Settings common to all these clips: DJI Avata 2 ND8 filter (some vignetting, but it doesn’t show up after stabilization) D-Log M flat 10-bit color profile Manual camera settings ISO 100 WB locked at 5500K 4:3 aspect ratio 4k 60fps and 120fps (for a couple of the clips) EIS / Rocksteady stabilization off Wide camera lens setting Sharpening -2 Noise reduction -1 Stabilized with Gyroflow using default settings, exporting at original resolution AxisFlying Manta 3.6” which I upgraded to the O4 Pro air unit from the O3 version. Editing / color grading was done in Final Cut Pro Adjusted exposure Added saturation Added sharpness of 1.8 or 2.0 I show 1 clip using the DJI D-Log M to Rec.709 LUT, but I preferred the results I got by manually color grading without applying the LUT. Note: I'm not a master color grader, so I'm sure there are others who would get even better results. 00:00 4k 60fps 4:3 over the harbor 00:53 4k 120fps 16:9 slow-mo above paddle boarders 01:30 4k 60fps 4:3 along the rocky coastline 01:46 DJI D-Log M to Rec.709 LUT example 03:44 Sunset lighting