Tamra Davis after being fired from 'Bad Girls', bagged the future cult classic 'Billy Madison' скачать в хорошем качестве

Tamra Davis after being fired from 'Bad Girls', bagged the future cult classic 'Billy Madison'

Game Changers is a Yahoo Entertainment video interview series highlighting women behind the camera who are disrupting Hollywood. Throughout 2020, we're talking to the female filmmakers directing some of the year's biggest hits and buzziest indies, as well as the pioneers who paved the way for them. Tamra Davis has experienced plenty of extreme highs and extreme lows over the course of her 3-decade-plus career as a film, television and music video director. Sometimes both within a matter of just weeks. After the successes of her feature film debut Guncrazy (1992) and sophomore effort CB4 (1993), Davis was hired to direct Bad Girls, an all-female Western starring Drew Barrymore, Andie MacDowell, Mary Stuart Masterson, and Madeleine Stowe. The foursome, all major names at the time, would play Old West prostitutes who go on the run after one of them murders an abusive patron. But only nine days into filming, in late July 1993, Davis was abruptly fired from Bad Girls. She sought to bring a feminist vision to the story, which made perfect sense: It was after all a female vengeance and empowerment tale. But the film's studio, 20th Century Fox, reportedly wanted a sexier take. (Though according to a report by Entertainment Weekly at the time, there were other issues with the production, none seemingly the fault of Davis.) She was replaced by Jonathan Kaplan, who had directed Stowe in 1992's Unlawful Entry. "Nobody ever sat me down and said, 'This is why you're taken off this movie,'" Davis, who admits it was especially painful to be replaced by a man, told Yahoo Entertainment in our latest episode of Game Changers. "It literally was like, 'We're crushing you.' It was so hard… Honestly, a normal girl would be crushed by that and you'd never work again. And that's what Hollywood can do to you. It can totally spit you off and reject you." At the time, Davis was one of only a handful a women directing studio films at the time, alongside the likes of Penny Marshall, Nora Ephron and Amy Heckerling. And she was not about to be crushed. "Nobody can tell me I'm not a filmmaker," she said to herself. So Davis grabbed her camera and shot the shoestring-budgeted black-and-white "riot girl" doc short No Alternative Girls, which focused on gender politics in rock and featured Hole singer Courtney Love. The idea was "F Hollywood. No one's gonna say, 'You're a director, you're not a director,' and take a film away from me. I'm a director the moment I have a camera in my hand, and nobody can tell me otherwise." The short gave Davis a shot of confidence. And a week later she got a call with an offer to director the Adam Sander comedy Billy Madison (1995), which, coincidentally, would find her replacing a man. Universal fired the untested Stephen Kessler, who was having trouble getting good comedic material out of Sandler and running behind schedule, after only three days on set. Davis, who had impressed them with her work directing Chris Rock in the rap parody CB4, was their answer. While Bad Girls ultimately fizzled – with Barrymore even calling it the one of film of hers she's just not into – the proudly juvenile Billy Madison helped launched the lucrative film career of Sandler and reached cult classic status over the years.